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Heywood, John

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Heywood, John (hā`wd), 1497?–1580?, English dramatist. He was employed at the courts of Henry VIII and Mary I as a singer, musician, and playwright. At the accession of Elizabeth I in 1564 Heywood, who was a Roman Catholic, fled to Belgium, where he stayed for the rest of his life. Important in the development of English comedy, Heywood was the most famous writer of the interlude, a short comic dialogue. Chief among his interludes are The Play of the Weather (1533) and The Four P's (c.1543). His other works include epigrams, proverbs, and ballads.

Bibliography

See his works (ed. by B. A. Milligan, 1956).


Heywood, John

(born 1497?, London, Eng.?—died after 1575, Mechelen, Belg.) British playwright. His witty, satirical verse interludes (dialogues on a set subject) helped put English drama on the road to the fully developed comedy of the Elizabethans. His interludes, which replace biblical allegory with representations of everyday life and manners, include The Play of the Wether, A Play of Love, and Wytty and Wytless (all printed 1533), and The Playe Called the Foure P.P.: A Palmer, a Pardoner, a Potycary, a Pedler (printed c. 1544). He also wrote epigrams, ballads, and a verse allegory, The Spider and the Flie (1556).


Heywood, John 

Born circa 1497, in London; died circa 1580, in Belgium. English dramatist. Friend of T. More.

By individualizing the characters of the heroes of his interludes, Heywood played a significant role in transforming the medieval morality play into realistic comedy. His short comic sketch, The Four P’s, was published in 1569. Heywood also left a collection of epigrams and proverbs, published in 1562.

WORKS

The Dramatic Writings. London, 1905.

REFERENCES

Istoriia zapadnoevropeiskogo teatra, vol. 1. Moscow, 1956.
Maxwell, I. French Farce and John Heywood. Melbourne-London, 1946.


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REFERENCES PRIMARY SOURCES Heywood, John 1994 A mery play between Johan Johan, the husband, Tyb his wife, and Sin" Johan the priest, available at http:lion.
Playwrights considered are Samuel Daniel, John Fletcher, John Ford, Thomas Heywood, John Lyly, Philip Massinger, John Webster, Ben Johnson, and William Shakespeare.
He provides clear, comprehensive introductions to mysteries, moralities, interludes, liturgical drama, and early classically-influenced comedies and tragedies, and brief but solid overviews of the literary careers of Henry Medwall, John Skelton, John Heywood, John Bale, Sir David Lindsay, Lyly, Kyd, Marlowe, Greene, and Peele.
 
 
 
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