Charles Hubert Hastings Parry

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Parry, Charles Hubert Hastings

 

Born Feb. 27, 1848, in Bournemouth; died Oct. 7, 1918, in Rustington. English composer, teacher, musicologist, and patron of the arts. Student of W. S. Bennett, H. H. Pierson, and E. Dannreuther and founder of the movement for the rebirth of national English music.

Parry taught at the Royal College of Music in London from 1883 to 1908. He became a professor there in 1891 and the college’s director in 1894. From 1900 to 1908 he was also a professor at Oxford University. He was chairman of many English music societies.

Parry’s oratorios, cantatas, and choruses on ancient and biblical themes were composed in the tradition of G. F. Handel. Examples include Scenes From Shelley’s “Prometheus Unbound” (1880; first composition), Judith, Job, and King Saul. Parry also wrote five symphonies, overtures, instrumental and vocal ensembles, church music, and music for the theater. Among his books are Studies of Great Composers (1886), The Art of Music (1893; 2nd ed.: The Evolution of the Art of Music, 1896), and Summary of the History and Development of Medieval and Modern European Music (1893).

REFERENCES

Graves, C. L. Hubert Parry, vols. 1–2. London, 1926.
Colles, H. C. “Parry as Song-Writer.” In the collection Essays and Lectures. Oxford, 1945. Pages 55–75.

M. A. ZIL’BERKVIT

References in periodicals archive ?
Other music featured included the hymns All People That On Earth Do Dwell, arranged by Vaughan Williams; O Praise Ye The Lord, with music by Hubert Parry, a favourite of Charles; and Guide Me, O Thou Great Redeemer.
English music was to the fore, and distinguished figures of the day came to conduct their music, Sir Charles Stanford, Hamish McCunn, Sir Hubert Parry and Sir Frederick Cowen appeared and there was a Mister Elgar, who conducted a set of Variations for Orchestra.
This last section comprises books, articles, lectures, papers, and addresses (with Stainer's lectures as Professor of Music at Oxford listed separately); Stainer's five educational primers are included not here but at the end of the church music section, together with a lengthy list of the Novello primers edited jointly by Stainer and Hubert Parry.
The programme opens with Walton's Spitfire Prelude and Fugue and ends with a rarely-performed piece by Hubert Parry, the Cambridge Symphony, a composition based, appropriately, on a young man about to go to university.
Sir Hubert Parry has been described as both one of Britain's best-known and least-known composers.
The same with Howells - I remember he had pictures of Sir Charles Stanford and Sir Hubert Parry on the wall and he said they've gone but I'mstill here
Letellier begins with two intriguing assessments of Meyerbeer: brutally negative in the case of Hubert Parry in 1893 and a resounding positive from Paul Bekker in 1926 (pp.
Edward Elgar, Percy Grainger, Charles Stansted and Hubert Parry - composers pivotal to British music's renaissance in the early 20th century - described him as a "scholarly, lyric tenor with great musicality".
The first disc features Elgar, Delius and Purcell, as well as triumphalist favourites Jerusalem by Sir Hubert Parry, the Dambusters March by Eric Coates and Rule Britannia by Henry Wood.
The 1804 verse was put to music by composer Hubert Parry during World War One.
Works by William Walton, Sir Malcolm Arnold and Sir Hubert Parry (yes, Jerusalem will provide a stirring finale) will also feature in what David promises is a pretty rare concert compendium of English compositions.