I. M. Pei

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I. M. Pei
BirthplaceCanton (Guangzhou), China

Pei, I. M.

(Ieoh Ming Pei) (pā), 1917–, Chinese-American architect, b. Guangzhou, China. Pei emigrated to the United States in 1935 and studied at the Univ. of Pennsylvania, the Massachusetts Institute of Technology, and Harvard, where he taught from 1945 to 1948. That year he joined Webb and Knapp, Inc.; there he designed such projects as Mile High Center in Denver (1954–59). He established his own firm in 1955. In his works, structure and environment are carefully integrated with precise geometrical design and a superb sense of craft, resulting in crisp, clear, sculptural structures. He is known for his sensuous use of such materials as marble, concrete, and glass and for his soaring interior spaces. Pei's involvement in urban planning includes the Government Center, Boston (1961), and Society Hill, Philadelphia (with Edmund N. Bacon, 1964).

Among his notable later buildings are the John Hancock Tower, Boston (1973); the East Wing of the National Gallery of Art, Washington, D.C. (1978); the Jacob Javits Exposition and Convention Center, New York City (1986); the Rock-and-Roll Hall of Fame, Cleveland (1995); the Miho Museum, Kyoto (1998); a new wing of the German Historical Museum, Berlin (2003); and the Museum of Islamic Art, Doha, Qatar (2008). His master plan for the LouvreLouvre
, foremost French museum of art, located in Paris. The building was a royal fortress and palace built by Philip II in the late 12th cent. In 1546 Pierre Lescot was commissioned by Francis I to erect a new building on the site of the Louvre.
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's expansion and renovation (1987–89) initially outraged critics, in large part because of the glass pyramid that formed the entrance to the museum's new underground section. The pyramid has since become a Parisian landmark. In 1990, Pei retired from active management of his firm.


See biographical study by C. Wiseman (1990); biography by M. Cannell (1995).

Pei, I. M. (Ieoh Ming)

(1917–  ) architect; born in Canton, China. He emigrated to the U.S.A. (1935) and studied at the Massachusetts Institute of Technology and with Walter Gropius at Harvard. He was director of architecture with the contracting firm Webb and Knapp (1948–55) before establishing his own New York firm (1955), later to become Pei, Cobb Freed and Partners. From the outset Pei was associated with large-scale multipurpose developments, often connected with urban revitalization; his designs include some of the principal commercial, cultural, and educational buildings of the late 20th century, including the Hancock Building (1972) and John F. Kennedy Library (1979), both in Boston; the East Building of the National Gallery of Art, Washington, D.C. (1978); and the controversial glass pyramid entrance to the Louvre, Paris (1983–89); in recent years he undertook major buildings in China and Hong Kong. Pei's buildings are characterized by their carefully, often dramatically arranged masses, use of exterior landscape in interior design through thoughtful siting, and technological innovation (he pioneered, for example, all-glass curtain walls).
References in periodicals archive ?
I've known the architect of the MIA building, IM Pei, since the late 1970s when he was working on the National Gallery in Washington.
Morgan Freeman joins Mandarin Oriental's 27 existing fans: Cecilia Bartoli, Caterina Murino, Sir Peter Blake, Lin Chiling, Karen Mok, Kevin Spacey, Christian Louboutin, Sophie Marceau, IM Pei, Michelle Yeoh, Jane Seymour, Kenzo Takada, Jerry Hall, Vanessa Mae, Vivienne Tam, Barry Humphries, Frederick Forsyth, Darcey Bussell, Bryan Ferry, Liam Neeson, Dame Helen Mirren, Maggie Cheung, Sigourney Weaver, Sir David Tang, Harry Connick Jr.
Designed by IM Pei, this building is awe-inspiring in design grandeur yet invitingly simple in its architecture.
The Museum of Islamic Art was designed by IM Pei for the Qatar Museums Authority.
IM Pei, the Chinese-American architect of the museum, was approached for his opinion and gave the concept his enthusiastic approval.
The Dallas Centre for the Performing Arts--now the AT&T Performing Arts Centre, a tellingly corporate name change--also includes the Booker T Washington High School for the Performing and Visual Arts, extended and refurbished by Brad Cloepfil's Allied Works Architecture and the Morton H Meyerson Symphony Centre by IM Pei, completed in 1989.