Igor Moiseev

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Moiseev, Igor’ Aleksandrovich

 

Born Jan. 8 (21), 1906, in Kiev. Soviet ballet dancer and choreographer. People’s Artist of the USSR (1953); Hero of Socialist Labor (1976).

In 1924, Moiseev graduated from the Moscow Choreographic School, where he had studied under A. A. Gorskii. Until 1939 he was a soloist with the ballet troupe of the Bolshoi Theater. He also staged ballets at the theater, including Oranskii’s The Soccer Player (1930, with L. A. Lashchilin), Hertel’s La Fille mal gardée (1930, with A. M. Messerer), Arends’ Salammbô (1932), Oranskii’s Three Fat Men (1935), and Khachaturian’s Spartacus (1958).

Moiseev was among those who established folk dance as a stage art in the USSR. He founded the Folk Dance Ensemble of the USSR in 1937 and since that time has been its permanent artistic director. In addition to individual dances, Moiseev has staged the following dance cycles: Folk Dances of the USSR (1937–38), Dances of the Slavic Peoples (1945), and Peace and Friendship (1953).

In his productions, Moiseev has preserved and developed the richness, imagery, and originality of the dances of various peoples. Using folkloric material, he has created various cycles of choreographic genre scenes, including Pictures of the Past, Soviet Pictures, and Around the Countries of ’the World. He also choreo-graphed Partisans, The Recruits, Viva Cuba!, Suburban Moscow Lyricism, Old City Quadrille, Jota aragonesa, and Road to Dance (Lenin Prize, 1967). The recipient of the State Prize of the USSR in 1942, 1947, and 1952, Moiseev has written articles on the theory of choreography and the art of folk dance. He has been awarded two Orders of Lenin, three other orders, and various medals.

References in periodicals archive ?
Al-Youha unveiled that Kuwait will host a number of Russian cultural activities in the coming period, starting late November, including a show for Igor Moiseyev Ballet band on Hussein Abdulredha theater in Al-Salmiya neighborhood of Hawali Governorate.
Former Bolshoi soloist Igor Moiseyev imbued ethnically derived dances with a pulse-pounding theatrical flair that generated sell-out crowds and ovations that went on through the night.
The company, under the artistic direction of Igor Moiseyev, gave its first performance in 1968.
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In her ability to shape folk dances to exciting theatrical effect, Hernandez has been compared to the former Soviet Union's famed Igor Moiseyev.
What renegade choreographer Boris Eifman has done to move Russian ballet into the twenty-first century, former ballet master of the Bolshoi Ballet Igor Moiseyev has done to preserve the dance heritage of the Russian people.
1960 Merce Cunningham Igor Moiseyev Maria Tallchief