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Ira Frederick Aldridge |
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Aldridge, Ira Frederick
Born circa 1805 in New York; died Aug. 7, 1867, in Łódź, Poland. American Negro actor. In the 1820’s Aldridge acted in an amateur theater in New York. After racists destroyed the theater, he performed with E. Kean during the latter’s tours. In 1827 he made his debut at the Royalty Theatre in London. He toured England and Ireland and worked in the Covent Garden, Lyceum, and other theaters. Racist persecution compelled Aldridge to leave England during the 1830’s. During the 1850’s he toured Europe with great success. He was ethusiastically hailed by such members of the Russian intelligentsia as M. S. Shchepkin and P. M. Sadovskii. Aldridge was the first American actor to win world fame for his Shakespearean roles. He endowed his heroes with verisimilitude and genuine wisdom and depth. He excelled in the role of Othello, whom he made the personification of the Negro people’s insistence on their human dignity. As an actor Aldridge combined a fiery temperament and quick emotion with strict control. He also worked as a director. REFERENCEDurylin, S. N. Aira Oldridzh (Ira Aldridge). Moscow-Leningrad, 1940.K. A. GLADYSHEVA Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | The first part of her chapter provides a useful historical overview, beginning with an all-black production of Richard III in 1821 by the African Theater in New York, a company of former slaves and sons of former slaves, and with reflections on several performances by the nineteenth-century black actor Ira Aldridge, who played several of Shakespeare's major protagonists--Shylock, Macbeth, and Lear among them--in "white face. In this regard, one of the most compelling sections of the book is a chapter devoted to the hardships encountered by African American actor Ira Aldridge throughout his life. Byline: RAY MARSHALL THE name Ira Aldridge may not mean that much to theatre-goers of the 21st Century. |
Ira Aldridge |
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