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mosque |
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mosque (mŏsk), building for worship used by members of the Islamic faith. Muhammad's house in Medina (A.D. 622), with its surrounding courtyard and hall with columns, became the prototype for the mosque where the faithful gathered for prayer.
StructureThe basic elements of a mosque are a place large enough for the congregation to assemble, especially on Friday, the Muslim sabbath, and orientation so that the faithful may pray facing in the direction of the holy city of Mecca. The wall facing Mecca is called the qibla wall and is marked by a mihrab, which usually takes the form of a decorated niche. In later ages mihrabs became quite elaborate; they are decorated with wooden fretwork in Morocco, with carved and pierced marble in Syria and Iraq, and with lusterware tiles bearing quotations from the Qur'an in Iran. A mosque usually includes a number of distinctive elements: a mimbar (or minbar), a pulpit that is entered by a flight of steps and stands next to the mihrab; a maqsura, an enclosed space around the mihrab, generally set apart by trellis screens, in which the caliph, sultan, or governor prays; a minaret minaret (mĭnərĕt`), tower, used in Islamic architecture, from which the faithful are called to prayer by a muezzin. All the great mosques are resplendent with elaborate decorations, but the prohibition against imitating God's works by creating living forms is always obeyed. Decorations are abstract, and geometric plant forms are so distant from their originals as to be unrecognizable. Representative MosquesAn early mosque, the Dome of the Rock (691–692) in Jerusalem, is a unique architectural monument. It follows an octagonal Byzantine plan, with a dome entirely of wood. Domed mosques, however, were not commonly built until some six centuries later. The mosque of 879 near Fustat was built by Ibn Tulun of stucco and brick and ornamented with floral reliefs in stucco. In the 14th cent. a Persian innovation appeared, in which four iwans—monumental facades with pointed vaults—were arranged around a central courtyard. The arm toward Mecca, wider and deeper than the others, contains the mihrab. A fine example of the form is the Great Mosque (1356) of Sultan Hasan at Cairo. The structure at Córdoba, Spain, represents a departure from the four-iwan style. This hypostyle hypostyle (hĭp`əstīl, hī`pə–) Mosques of Persia inherited the Sassanian vaulting tradition and surface decoration with resplendent ceramics. They thus possess a distinctive character in their pointed onion-shaped domes, lofty pointed portals, and magnificent polychrome tiles. In the 15th and 16th cent. the colonnaded prayer halls were replaced by large, square, domed interiors, sometimes surrounded by lower vaulted side aisles, as in the Blue Mosque at Tabriz (1437–68). This structure, of essentially Byzantine plan, is sheathed with incomparable blue ceramics. The imperial mosque at Isfahan (1585–1612) had four impressive porticoes on the court, and its main prayer hall, crowned by an onion-shaped dome and with a porch having an enormous pointed arch flanked by slender minarets, represents the climax of Persian mosque design. When the Turks took Constantinople (1453) they used the great Byzantine church Hagia Sophia Hagia Sophia (hä`jə sōfē`ə, hā`jēə,) [Gr. Indian mosques betray their Persian origin in the prevalence of onion-shaped domes, round minarets, and great portals with pointed arches, although the traditional Persian tile sheathing is largely restricted to interiors. The use of stone and marble for exteriors, however, lends them a solid monumentality rarely seen in other Muslim styles, while colored stones inlaid against the white marble add touches of vivid beauty. During the Mughal dynasty, particularly under the brilliant reign of Shah Jahan (1627–58), mosques of surprising grandeur were erected. Among the finest Mughal examples are the huge mosque with its superb domes and entrance at Fatehpur Sikri (1556–1605); the three-domed Pearl Mosque at Agra (1646–53), famous for its simple plan and delicate inlays; and the Jama Masjid [great mosque] at Delhi, the largest in India. For a further discussion of the architectural development of the mosque, see Islamic art and architecture Islamic art and architecture, works of art and architecture created in countries where Islam has been dominant and embodying Muslim precepts in its themes.
mosqueIslamic public place of prayer. The masjid jami', or “congregational mosque,” is the centre of community worship and the site of Friday prayer services. Though the mosque—originally a sacred plot of ground—has been influenced by local architectural styles, the building has remained essentially an open space, usually roofed, with a minaret sometimes attached. Statues and pictures are not permitted as decoration. The minbar, a seat at the top of steps placed at the right of the mihrab, is used by the preacher (khatib) as a pulpit. Occasionally there is also a maqsurah, a box or wooden screen originally used to shield a worshiping ruler from assassins. The minaret, originally any elevated place but now usually a tower, is used by the muezzin (crier) to proclaim the call to worship five times each day. During prayer, Muslims orient themselves toward the qiblah wall, which is invariably oriented toward the Ka'bah in Mecca. The mosque has traditionally been the centre of social, political, and educational life in Islamic societies. mosque a Muslim place of worship, usually having one or more minarets and often decorated with elaborate tracery and texts from the Koran How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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| Allan Scult, Emeritus, Drake University, represented Judaism; and Robert Schiers of the Darul Arqum Islamic Center of Ames represented Islam. Ali Muhammad Shakoor, imam (religious minister) at the Islamic Center of Reseda, celebrated the ``festival of the sacrifice'' with his congregation Saturday morning and said there was no mention of the execution of the former Iraqi dictator. Owais Bayunis, Chairman of the Islamic Center of Minnesota, explained his personal calling to educate Americans on the essence of Islam. |
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