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Jacob Obrecht

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Obrecht, Jacob 

Born Nov. 22, 1450 or 1452, in Bergen op Zoom or Utrecht; died 1505 in Ferrara. Netherlands composer and prominent representative of the Netherland School.

Obrecht served as precentor in the largest Dutch cathedrals, including those of Utrecht (from 1476), Bergen op Zoom (1479–84 and 1496–98), Cambrai (1484–85), Bruges (1487–92), and Antwerp (1492–96 and 1500–02). In 1487 and 1488, and again from 1504 until his death, he was court musician for the Duke d’Este in Ferrara, where he died of the plague.

Obrecht was a prominent master of both religious and secular choral polyphonic music. Making extensive use of Flemish and German folk-song themes, he skillfully wove them into a polyphonic fabric. A musician, mathematician, and philosopher, highly interested in Pythagoreanism, he wrote his compositions using precisely calculated proportions. His extant works include 26 masses for three or four voices (the most famous are those devoted to the Virgin Mary and his parody masses); 31 motets for three to six voices (including the famous Salve regina); 25 Flemish secular part songs; and instrumental adaptations of songs for dance.

REFERENCES

Gruber, R. Istoriia muzykal’noi kul’tury, vol. 1, part 2. Moscow-Leningrad, 1941. Pages 401–09.
Gombosi, O. Jacob Obrecht. Leipzig, 1925.

L. G. BERGER



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The programme for Tuesday's concert, called A Liturgy of Shadows, goes back even earlier, to the 15th century, with authentic chants and anthems by Johannes de Quadris, Jean Ockeghem, Josquin des Prez, Jacob Obrecht and Pierre de la Rue.
The tendency to single out all-surpassing masters who soar above their commonplace contemporaries has not benefitted the composer Jacob Obrecht, who had the mixed luck of sharing at least part of a lifetime with the celebrated Josquin des Prez.
 
 
 
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