Agee, James

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Agee, James

(ā`jē), 1909–55, American writer, b. Knoxville, Tenn., grad. Harvard, 1932. He soon joined the literary and journalistic life of New York City, becoming (1932) a writer for Fortune magazine, a book reviewer and movie critic for Time (1939–48), and a film critic for The Nation (1942–48). During the 1950s he was a film scriptwriter, e.g., The African Queen (with John HustonHuston, John
, 1906–87, American motion picture director, writer, and actor, b. Nevada, Mo. In many of his films, such as The Treasure of the Sierra Madre (1948) and Moby Dick
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, 1951) and The Night of the Hunter (1955), and also wrote for television. Agee's first major book is Let Us Now Praise Famous Men (1941), a prose commentary on the life of tenant farmers in the South in the 1930s with accompanying photographs by Walker EvansEvans, Walker,
1903–75, American photographer, b. St. Louis. Evans began his photographic career in 1928. His studies of Victorian architecture and his photographs of the rural South during the Great Depression, made for the Farm Security Administration, are among his
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. His second major book, and probably best-known work, is the autobiographical and posthumously published novel A Death in the Family (1957; Pulitzer Prize), which recounts in poetic prose the tragic impact of a man's death on his wife and family. Agee's other works include The Morning Watch (1954), a novella with strong autobiographical elements,; Agee on Film (2 vol., 1958–60), a collection of reviews, comments, and scripts; Letters of James Agee to Father Flye (1962), a collection of letters to a former teacher; Collected Poems (1968); and Collected Short Prose (1969).

Bibliography

See his collected works, ed. by M. Sragow (2 vol., 2005); M. A. Lofaro, ed., A Death in the Family: A Restoration of the Author's Text (2008); biographies by G. Moreau (1977) and L. Bergreen (1984); R. Spears and J. Cassidy, ed., Agee: His Life Remembered (1985); studies by P. H. Ohlin (1966), A. G. Barson (1972), V. A. Kramer (1975), M. A. Doty (1981), M. A. Lofaro (1992), J. Lowe (1994), A. Spiegel (1998), and H. Davis (2008).

Agee, James (Rufus)

(1909–55) writer, poet; born in Knoxville, Tenn. He attended St. Andrews School, Tenn., (1914–24), Phillips Exeter (1925–28), and Harvard (1928–32). Based in New York City, he worked for several periodicals, and is known for his study of tenant farmers in Alabama, Let Us Now Praise Famous Men (1941), co-authored with the photographer Walker Evans. He is also known for poetry, film scripts, such as The African Queen (1952), and his novels, notably A Death in the Family (1957).
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This is what makes Evans's Many Are Called so different in feeling and implication from his more celebrated collaboration with James Agee in Let Us Now Praise Famous Men, their epic account of Southern sharecroppers.
They are a strange ticket into permanence for James Agee, and, though I am not sure it really mattered to him, I wish he knew it.
268; Polonsky, "The Best Years of Our Lives: A Review;" James Agee, "What Hollywood Can Do;" Warshow, The Immediate Experience, pp.
James Agee is widely considered to be one of 20th Century America's most underrated literary figures whose contributions are only being recognized for their true worth in the past couple of decades.
Agee at 100; centennial essays on the works of James Agee.
James Agee, A Death in the Family: A Restoration of the Author's Text.
He began at the New Republic in 1942; did a short stint at Time and took over from James Agee at The Nation, both in 1949; and wrote occasionally for Commentary, Commonweal, the New Leader, Cavalier, and then, from 1967 to 1971, for this magazine.
The Truckers seem determined only to capture what writer James Agee called "the cruel radiance of what is.
Film critic James Agee would accord the segment just that honor in his 1949 Life essay, "Comedy's Greatest Era.
The newest and most unusual of these four compositions is Musto's "Dove Sta Amore" (``Where Love Lies'') - jazz and ragtime settings of five poems: "Maybe," "Sea Chest" and "Hangman at Home" by Carl Sandburg, "How Many Little Children Sleep" by James Agee and "Dove Sta Amore" by Lawrence Ferlinghetti.
In addition to Wright and Morrison, the volume includes essays on James Agee, Ernest Gaines, Henry Roth, Flannery O'Connor, Walker Percy, Richard Ford, William Styron, Thomas Keneally, and Kaye Gibbons.