Jean Vilar


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Jean Vilar
Birthday
BirthplaceSète, Hérault
Died
Occupation
Actor and director

Vilar, Jean

 

Born Mar. 25, 1912, in Sete, died there May 28, 1971. French actor and director.

In 1932, Vilar began his studies with C. Dullaine and per-formed in the Atelier Theater in Paris, where he also began his career as a director. In the period 1945-51 he acted and staged plays in various Parisian theaters. From 1951 to 1963 he was a director, actor, and producer at the National Popular Theater in Paris. Vilar developed R. Rolland’s idea of popular theater and believed that the art of the National Popular Theater must be in conformity with the needs of the democratic spectator. Vilar’s theater provided the impetus for a broad movement to establish popular theaters throughout France. Vilar staged mainly the classics of world drama, giving his productions sharply contemporary tone. Among his productions were Shakespeare’s Richard II (1947), in which he played the title role, Büchner’s Danton’s Death (1948), in which he played Robespierre, and Corneille’s Cid (1949), in which he played the king. Other productions and roles were Henry IV (1950, title role), Moliere’s The Miser (1952, Harpagon) and Dom Juan (1953, title role), Balzac’s The Doer (1957, Mercadet), and Brecht’s The Career of Arturo Ui (1960, title role). In 1961, Vilar produced Peace based on the play by Aristophanes. Beginning in 1947 he was permanent director of the drama festivals at Avignon; he appeared in films from 1946.

WORKS

De la Tradition théâtrale. [Paris, 1965.]
In Russian translation:
O teatral’noi traditsii. Moscow, 1956.

REFERENCES

Boiadzhiev, G. Teatral’nyi Parizh segodnia. Moscow, 1960.
Roy, C.Jean Vilar. [Paris, 1968.]
References in periodicals archive ?
Des photos inedites du public du theatre El Badaoui au theatre municipal de Casablanca , un ancien theatre inaugure au debut des annees 1920, avant et apres l'independance, ainsi que des photos des personnalites artistiques et politiques ayant un impact sur le fondateur de ce theatre en l'occurrence de Youssef Wahbi, le realisateur et comedien francais Jean Vilar y seront exposees pour rafraichir les memoires.
Mucho mayor interes tiene la carta que Alejandro Casona le envia desde Buenos Aires el 12 de noviembre de 1957 y en la que alude a la deslumbradora memoria que ha dejado su paso como actriz del Theatre National Populaire, dirigido por Jean Vilar, en los escenarios bonaerenses: "Ha dejado usted aqui, entre muchos deslumbres de admiracion, una buena cosecha de carinos.
Varda relates how despondent she was when her photograph of the founder Jean Vilar performing at the Festival D 'Avignon developed partly out of focus.
1) Les Theatre National Populaire (The Popular National Theatre) managed by stage director Jean Vilar.
Spectacular and expensive productions, such as the 1953 Aida in which Amneris arrived at the Temple of Isis on a floating barque, gave way to the simpler productions of Jean Vilar from 1969 onwards.
Damascus, (SANA) -- Theatrical Platform for the Mediterranean Demonstration is the outcome of a Syrian-French cultural cooperation, represented by the Syrian Ministry of Culture (Directorate of Theaters and Music -- the National Theatre) and Jean Vilar Theatre, Vitry-sur-Seine City in Paris.
As Jean Vilar, founder of the Avignon theatre festival once said, 'our aim is to organise an event which is elitaire but for everyone'.
Or try the four-star Mercure Cite des Papes, 1 rue Jean Vilar 84000 Avignon, France, www.
fr, 26, Place Horloge 84000 Avignon, France +33 4 90 82 21 45; or try the 4-starMercure Cite des Papes, 1 rue Jean Vilar 84000 Avignon, France, www.
She makes the link forward to the eventual Theatre National Populaire project, and its champion Jean Vilar (although she ignores the Theatre du Soleil as a successor).
Jean Vilar ha estudiado, en un articulo en el que lo identifica con Judas, porque asi termina comportandose con quien le protege, como:
The cast of illustrious interlocutors alone makes this episode in cultural history a fascinating site of inquiry: they include Jean-Paul Sartre, Jean Vilar, and, among others, Roland Barthes.