Jean Baptiste Carpeaux

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Carpeaux, Jean Baptiste

 

Born May 11, 1827, in Valenciennes; died Oct. 11, 1875, in Counbevoie. French sculptor, painter, and graphic artist.

In 1844, Carpeaux began studying at F. Rude’s studio in Paris. In 1848 he became a student under J. Duret at the Ecole des Beaux-Arts. His works include the spiritually tragic sculptural group Ugolino (bronze, 1857–60, the Louvre, Paris), the decorative and festive high reliefs The Triumph of Flora (plaster of paris, 1863–66, facade of the Pavilon de Flore, Tuileries, Paris) and The Dance (stone, 1865–69, facade of the Paris Opera, Paris), and the sculptural group Four Parts of the World (bronze, 1867–72, in the fountain in the Luxembourg Gardens, Paris).

Carpeaux’s works, such as Fisher-girl (terra-cotta, 1871, Pushkin Museum of Fine Arts, Moscow), are distinguished by dynamic forms, influenced by 18th-century sculpture. There is a fanciful play of light and shade, and the figures are sensual and graceful; at the same time, they occasionally display some of the pretentiousness of salon art. Carpeaux is also well known as a sculptor of numerous portrait busts.

REFERENCE

Clément-Carpeaux, L. La Vérité sur l’oeuvre et la vie de Jean-BaptisteCarpeaux (1827–1875), vols. 1–2. Paris, 1935.
References in periodicals archive ?
The Passions of Jean-Baptiste Carpeaux (above) is the definitive book on the artist and his creations
Jean-Baptiste Carpeaux (French, Valenciennes 1827-1875 Courbevoie) Ugolino and His Sons (and detail images of Ugolino and His Sons) 1865-67 Saint-Beat marble, H.
PRODIGIOUSLY gifted and yet deeply tormented, Jean-Baptiste Carpeaux (1827-1875) had the ability to turn cold marble into living flesh.
The Passions of Jean-Baptiste Carpeaux has some fine writing by various authors, is bound in cream linen and shows in many lavish illustrations just what a fine draughtsman Carpeaux was.
More precisely, in one section the film shows Meise adopting the posture of the smiling Neapolitan fisher boy listening to a seashell in the famous statue by Jean-Baptiste Carpeaux, Pecheur napolitain a la coquille (Neapolitan Fisher Boy), 1857.
Another is Gateau Carpeaux - named after painter Jean-Baptiste Carpeaux, who came from the town.
Sculptures by Degas, Auguste Rodin, Constantin Meunier, Jean-Baptiste Carpeaux and Albert Ernest Carrier-Belleuse round out the display of 19th-century masters.
Sculpture appeared more prominent, not least with London sculpture dealer Daniel Katz presenting an impressive stand by the entrance (an early sale to a US museum was a marble Daphnis and Chloe by Jean-Baptiste Carpeaux (1827-75; Fig.
Art-historical precedents from Michelangelo to Jean-Baptiste Carpeaux (the latter virtually ignored in the catalogue) are easily identifiable.
She made her name with an outstanding book about the French Second Empire sculptor Jean-Baptiste Carpeaux, and seems drawn to artists who stand at the edge of the modernist road-map.
In January 1873, Jean-Baptiste Carpeaux received an urgent telegram dispatched from England by the Prince Imperial Louis-Napoleon, the only son of Napoleon III and Eugenie, the ex-emperor and ex-empress of France.
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