1), il admire le regard plein de confiance et de fierte adresse par l'enfant A son pere (808), et celui de Delaroche, Les Enfants D'Edouard, le frappe par "ces deux admirables tetes des enfants en prison" (806); il remarque aussi le personnage "tres beau, vraiment simple d'expression" (970) de la fille de Jephte
qui rachete l'ensemble du tableau de Lehmann.
Audrey O'Mahony, 'Materials for an Edition of the Jephte
Play in the Stonyhurst Pageants', ma thesis (Catholic University of America, 1967).
David Stout is the tragic Jephte
, Jane Harrington heartbreakingly accepting as his daughter, and Matthew Halls' continuo-based orchestra plays with sonorous gravity.
Two focus predominantly on single plays: Pierre-Louis Vaillan-court shows how, in Jephte
ou le Voeu, combining ancient and biblical traditions and affecting a neutrality which anticipated Grotius, Buchanan participated in the theological debate on the relation between divine beneficence and Protestant tragedy's recurrent theme of the sacrifice of innocent victims; and Jeanne Bovet usefully revisits another old controversy, using Jodelle's Cleopatre to demonstrate that rhetoric and theatricality should not be regarded as mutually exclusive concepts for the Renaissance dramatist, since they were reconciled in the oratorical art of actio.
1-22, 75-96) contributed a copy of Carissimi's Jephte
(text hand only; music hand is Charles Husbands) and sacred music by Byrd.
The centerpiece of Jephte
is a stunning duet that explores many facets of the archetypal father-daughter relationship--tenderness, mutual dependency, adoration, and eroticism.
For example, the ensemble has performed Carisimi's oratorio Jephte
in the theatre in Cesky Krumlov Chateau.
Malvern Festival Theatre hosts productions of Handel's Tolomeo (8pm Tuesday), Purcell's Dido and Aeneas and Carissimi's Jephte
(Wednesday 8pm), Monteverdi's Orfeo, the first opera remaining in the repertoire after 400 years (Thursday and Saturday 8pm), and Cavalli's Erismena (Friday 8pm).
The characters of Storge and Zebul, Iphis's name and a number of the early scenes in the oratorio are based on the sixteenth-century tragedy Jephte
sive votum by the Scottish poet George Buchanan.
For sheer drama Carissimi's oratorio Jephte
The weeping chorus of shepherds in the finale to act 4 anticipates by about thirty years the famous lamenting chorus that closes Giacomo Carissimi's oratorio Jephte