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Harris, Joel Chandler |
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Harris, Joel Chandler, 1848–1908, American short-story writer and humorist, b. Eatonton, Ga., considered one of the greatest American regionalist writers. As an apprentice to the editor of the Countryman, a newspaper published on a Southern plantation, Harris gained firsthand knowledge of black slaves and their folklore. His stories and sketches of the South were originally published in the Atlanta Constitution, with which he was associated from 1876 to 1900. Harris's first collection, Uncle Remus: His Songs and His Sayings (1881), brought him immediate fame. Featuring as their narrator a lovable, shrewd former slave, the Uncle Remus stories drew upon African-American folklore and humor and captured the authentic life, character, and dialect of Southern blacks. The demand for his stories and sketches was so great that Harris followed with nine more books in a similar vein, including The Tar Baby (1904) and Uncle Remus and Br'er Rabbit (1906). In other notable works, such as Mingo and Other Sketches in Black and White (1884) and Free Joe and Other Georgian Sketches (1887), Harris portrayed with accuracy and insight the aristocrats and poor whites of Georgia.
BibliographySee his life and letters (ed. by J. C. Harris, 1918); biographies by P. M. Cousins (1968) and R. B. Bickley, Jr. (1987); study by R. B. Bickley, Jr. (1981). Harris, Joel Chandler(born Dec. 9, 1848, Eatonton, Ga., U.S.—died July 3, 1908, Atlanta, Ga.) U.S. writer. He became known as a humorist in his pieces for various newspapers, including (1876–1900) the Atlanta Constitution. He created a vogue for a distinct type of dialect literature with “Tar-Baby” (1879) and later stories that drew on folklore and featured the character Uncle Remus, a wise, genial old black man who weaves his philosophy of life into tales about Brer Rabbit, Brer Fox, and other animals. Harris, Joel Chandler (1848–1908) writer; born near Eatonville, Ga. As a boy he worked as a printer's assistant (1860–62) on a newspaper published by Joseph Addison Turner, who also encouraged Harris to read and write; Turner owned a plantation and Harris became acquainted with the African-American slaves and their speech, stories, and customs. He then became a journalist for newspapers in Macon and Savannah, Ga., and in New Orleans before settling in Atlanta to work for the Atlanta Constitution (1876–1900), which carried the first of his "Uncle Remus Stories," "The Story of Mr. Rabbit and Mr. Fox" in 1879. Its popularity led to a long series of tales, published over the next quarter century in various collections, starting with Uncle Remus: His Songs and His Sayings (1880). The tales feature Uncle Remus, an African-American and former slave who tells the tales to the son of the family he now serves; many of the stories feature animals such as Brer (Brother) Rabbit and Brer Fox, and draw on the folklore of African-Americans as well as reproduce their speech, so that the tales are regarded as providing at least glimpses of authentic folklore. Harris also wrote other stories and novels about life in the South; his On the Wing of Occasions (1900) is a collection of stories featuring Billy Sanders, the Sage of Shady Dale, a character who expresses the views of average Georgians of the day. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | Wilkins Freeman, Bret Harte, William Faulkner, Willa Cather, Joel Chandler Harris, Mark Twain, and John Steinbeck. Dunbar's dialect poems had no pretense to being oral folklore in the sense that, unlike slave spirituals or the stories of Joel Chandler Harris, Dunbar's poems were not imagined actually to have come from rural southern African Americans; turn-of-the-century essays about Dunbar carefully noted his poetic origins in a postbellum Dayton elevator. 1881-1905: Joel Chandler Harris, a white southerner, publishes the Uncle Remus series. |
Joel Chandler Harris |
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