Hoppner, John

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Hoppner, John,

1758–1810, English portrait painter. He was a protégé of George IIIGeorge III,
1738–1820, king of Great Britain and Ireland (1760–1820); son of Frederick Louis, prince of Wales, and grandson of George II, whom he succeeded. He was also elector (and later king) of Hanover, but he never visited it.
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, whose illegitimate son he was rumored to be. He imitated, without total success, the style of Sir Joshua ReynoldsReynolds, Sir Joshua,
1723–92, English portrait painter, b. Devonshire. Long considered historically the most important of England's painters, by his learned example he raised the artist to a position of respect in England.
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. Hoppner achieved a lifelong popularity rivaled only by that of Sir Thomas LawrenceLawrence, Sir Thomas,
1769–1830, English portrait painter, b. Bristol. He began to draw when very young and developed extraordinary talents as a draftsman; though he studied briefly at the Royal Academy, he was mainly self-taught.
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. He painted with facility and lively color, though many paintings have now faded badly. Under the patronage of the Prince of Wales, many of Hoppner's best works were hung in St. James's Palace, where they remain. Among his famous portraits are those of the countess of Oxford (National Gall., London) and the duke of Kent (Windsor Castle). The Metropolitan Museum has many of his portraits.


See study by W. McKay and W. Roberts (1914 ed.).

References in periodicals archive ?
A rivalry with John Hoppner blocked Lawrence's natural progression at court but his abilities were glaringly obvious and his gentle disposition enabled him to meet the needs of his clients and cope with an overbearing father.
He was a keen collector of art, promoted the sport of archery and commissioned John Hoppner to paint the oil-on- canvas portrait which Wrexham council now hopes to buy.
The portrait,painted by John Hoppner,dates to the 1780s, which is considered by critics to be his finest period.
Here are paintings by Claude-Joseph Vernet, Joseph Wright of Derby, John Hoppner, and, by Turner, Moonlight, a Study at Millbank (1797), but it is Dahl and Friedrich who stand out.