Curry, John Steuart

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Curry, John Steuart,

1897–1946, American painter, b. Dunavant, Jefferson co., Kans. He spent his youth on his father's farm. In 1916 he entered the Kansas City Art Institute and later studied in Chicago and New York and in Paris. His early paintings of Kansas life, such as Baptism in Kansas, aroused interest by their simple and authentic character. He often chose typically American subject matter, from rural life to circus scenes, which he depicted with a dramatic flair. In addition to his oil paintings he is well known for his murals, such as those in the Dept. of Justice Building in Washington, D.C., and the statehouse in Topeka, Kans.

Bibliography

See L. E. Schmeckebier, John Steuart Curry's Pageant of America (1943).

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Tacked to the wall of Greg Orman's campaign office is a print of a John Steuart Curry painting, ''Tragic Prelude,'' that hangs in the capitol in Topeka.
Others in this movement were Grant Wood, most famous for his American Gothic, and John Steuart Curry, who painted life in his native Kansas.
Associated American Artists: Art by Subscription features over 70 limited-edition, original wood engravings, etchings, aquatints and mezzotints created by some of America's most recognizable artists, including Peggy Bacon, Thomas Hart Benton, John Costigan, Miguel Covarrubias, John Steuart Curry, Mabel Dwight, Doris Lee, Luigi Lucioni, Reginald Marsh, Sam Thal and Grant Wood.
On the back of this photo, the wife of another artist named John Steuart Curry, who was friends with Benton, had written that the two men had exchanged artwork around 194o, and Curry got this one.
An exhibition, "Images from the World Between: The Circus in Twentieth-Century American Art," features works by Diane Arbus, George Bellows, John Steuart Curry, Walker Evans, Reginald Marsh, and George Segal, among others.
America's Most Wanted, a 19th-century-ish narrative landscape, carries much the same political meaning for progressive art today as did the picturesque Regionalism of '30s painters like Thomas Hart Benton, Grant Wood, and John Steuart Curry, all of them reviled as reactionaries by the people's artists of the day.
Frank Dobie, Walter Prescott Webb, and Roy Bedichek, Lewis Mumford and his circle in the Northeast, Maria Sandoz and artists John Steuart Curry, Grant Wood, and Thomas Hart Benton in the Midwest, and those of the Santa Fe and Taos artist colonies in New Mexico, to name a few - came to see themselves as regionalists, defenders of traditional culture against the destabilizing forces of modernity.
Though the great majority of the LEC's books had pictures by talented commercial artists, Macy also commissioned work from some of the leading painters of his day: Matisse, Picasso, Derain, Laurencin and others of the Paris school, along with such American masters as Grant Wood, John Steuart Curry and Reginald Marsh.
Wood's work almost exclusively depicted life on the prairie, and he was one of the three major "American Regionalist" painters along with John Steuart Curry (1897-1946) and Thomas Hart Benton (1889-1975).
Other Regionalist painters include Thomas Hart Benton and John Steuart Curry.
Other noted artists of the 20th century, many American, are known for their depictions of the weather, such as Edward Hopper, Grant Wood, John Steuart Curry, Georgia O'Keeffe and David Hockney.
He and two other artists, Grant Wood and John Steuart Curry, became known as Regionalist painters.