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Albers, Josef |
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Albers, Josef (yō`zĕf äl`bĕrs), 1888–1976, German-American painter, printmaker, designer, and teacher, b. Bottrop, Germany. After working at the Bauhaus Bauhaus (bou`hous), school of art and architecture in Germany. ..... Click the link for more information. (1920–33), Albers and his wife, the textile designer and weaver Anni Albers, emigrated to the United States when Hitler came to power. Albers taught throughout the Americas and Europe, headed the art department (1933–49) at Black Mountain College, and was director of the Yale School of Art (1950–58), where he was responsible for major innovations in art education. An extremely versatile artist, he is best known for his Homage to the Square, a series of paintings and prints begun in 1949. These serene works, quasiconcentric squares of subtly related colors, form an extensive examination of color properties. BibliographySee his Interaction of Color (1963); studies by E. Gomringer (1968) and W. Spies (1971). Albers, Josef(born March 19, 1888, Bottrop, Ger.—died March 25, 1976, New Haven, Conn., U.S.) German-U.S. painter, poet, teacher, and theoretician. He studied and taught at the Bauhaus and in 1933 became one of the first Bauhaus teachers to immigrate to the U.S., where he taught at Black Mountain College and later at Yale. He developed a painting style characterized by abstract rectilinear patterns and primary colours as well as black and white. His best-known series of paintings, Homage to the Square (begun in 1950 and continued until his death), restricts its repertory of forms to coloured squares superimposed onto each other. The arrangement of these squares is carefully calculated so that the colour of each square optically alters the sizes, hues, and spatial relationships of the others. His research into colour theory was published in the influential Interaction of Color (1963).Albers, Josef (1888–1976) painter; born in Bottrop, Germany. In 1933, fleeing from Nazism, he emigrated to America to continue his teaching career at Black Mountain College, North Carolina (1933–49), and at Yale University (1950–60). A series of paintings, Homage to the Square, reveals his fascination with color relationships. He was influential in introducing the Bauhaus art school concepts from Germany, which stressed craftsmanship and a functional approach to design. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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This formative period was further strengthened by a time--on Gropius's recommendation--at Black Mountain College under Josef Albers. And yet the verre eglomise technique from which Pumhosl's is adapted was used by Josef Albers, among others. 3--Color) ``Leaf Study IV'' (circa 1940), a collage on leaves and paper by German artist Josef Albers. |
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