Josef Suk


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Suk, Josef

 

Born Jan. 4, 1874, in Křečovice; died May 29, 1935, in Beneišov, near Prague. Czech violinist and composer.

Suk studied violin under A. Bennewitz and composition under K. Stecker and A. Dvořák. From 1891 to 1933 he played with the Bohemian Quartet, with which he toured Russia frequently, beginning in 1895. Until 1904 he performed as a soloist. In 1922 he became a professor at the Prague Conservatory, and from 1924 to 1926 and from 1933 to 1935 he served as the conservatory’s rector. In his First Symphony (1897) and other orchestral, instrumental, and chamber works, Suk developed the traditions of the Czech classics. After 1904, traits of expressionism appeared in his compositions. A collection of Suk’s works for piano was published in the USSR in 1955.

REFERENCES

Belza, I. Ocherki razvitiia cheshskoi muzykal’noi klassiki. Moscow, 1951. Pages 460–466.
Berkovec, J. Josef Suk, 2nd ed. Prague, 1962.
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I tried to find the answers to my questions by listening to five different albums, mainly containing recordings of Dvorak's violin concerto, made by the following artists: Josef Suk (1960), Anne-Sophie Mutter (2013), Julia Fischer (2013), Pamela Frank (1998) and Frank Peter Zimmermann (2014).
There was certainly one on Wednesday afternoon, when we heard some rare Britten (part of the Britten 100 celebrations), a Mozart piano concerto which features on one of OOTS' most valued CD recordings, and the Dvorak Serenade for Strings which had served as a template for the lovely work of the same title by his son-in-law Josef Suk which we had heard last month.
Eik and Josef Suk will be on the running order for the CSO's performance on Saturday, October 13th in Cairo, as well as on Sunday, October 14th in Alexandria.
Staged inside the new Dora Stoutzker Hall, it featured the little known Serenade in E flat, Op 6 composed by Josef Suk, alongside work by other influential composers - William Mathias and Antonn Dvor[sz]k.
Concert of Czech music by Antonin Dvorak, Josef Suk and Leos Janacek--March 1, Purple lounge, 7pm.
Czech composer Josef Suk holds a special affection and fascination for Liverpool audiences.
The programme opened with another Dvorak family piece, this time from his son-in-law Josef Suk, whose Scherzo Fantastique proved more than simply a shoulder loosener, with playful woodwind and an expansive theme moving up through the cellos to a lilting waltz, topped off by birdsong, a super crescendo descent through the orchestra and a satisfyingly big, brassy finish.
After a period of preparation, Husa entered the Conservatory in 1941, joining the composition class of the distinguished composer, harpist, and pedagogue Jaroslav Ridky, Ridky, who idolized Mahler, introduced his students to the works of twentieth-century Czech composers such as Vitezslav Novak, Josef Suk, and, above all, Leos Janacek.
Leonard Rose and Jules Eskin; violinists Arnold Steinhardt, Ida Kavafian, Josef Suk and Pamela Frank; violist Michael Tree; clarinetist David Shifrin; flutist Ransom Wilson; and the Penderecki, Peterson, Angeles, LaFayette and Guarneri string quartets.
In America, Josef Suk (1874-1935) may be better known as Dvorak's son-in-law than as a musician, but in Czechoslovakia he is quite famous.
Bright Blue Skating (to Michael Torke's music) is about the fun that people have in skating, and April (to a Josef Suk score) spins guest artist Dorothy Hamill's strength into silken yarn.
Left to themselves, Curtis and his orchestra delivered a warmly sympathetic reading of the Serenade for Strings by Josef Suk, so affectionately based on the template of the Serenade of the composer's father-inlaw, Dvorak.