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Anderson, Dame Judith |
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Anderson, Dame Judith, 1898–1992, British actress, b. Adelaide, S. Australia, originally named Frances Margaret Anderson. She made her debut in Sydney in 1915 and by 1924 had become celebrated for her portrayals of classical and modern roles. In 1937 she made her London debut in Macbeth with Laurence Olivier. The title role in Medea by Robinson Jeffers, which she played in 1947 and 1982, was a personal triumph. Anderson's notable films were Rebecca (1940), Laura (1944), and Cat on a Hot Tin Roof (1958). Her later films include A Man Called Horse (1970) and Star Trek III (1984). She was made a Dame of the British Empire in 1960. Anderson, Dame Judithorig. Frances Margaret Anderson(born Feb. 10, 1898, Adelaide, S.Aus., Australia—died Jan. 3, 1992, Santa Barbara, Calif., U.S.) Australian-born U.S. actress. She made her stage debut in Sydney in 1915 and first appeared in New York City in 1918. She was noted for roles such as Lavinia in Mourning Becomes Electra (1932), Gertrude in Hamlet (1936), Lady Macbeth in Macbeth (1937, 1941), and the title role in Medea (1947). She appeared in over 25 films, usually playing an evil or sinister figure, including Mrs. Danvers in Rebecca (1940) and Ann Treadwell in Laura (1944). How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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| The team of Teres Corey Blanck, Peter Vogt, and Judith Anderson collaborate to help parents and students to make the most of each level of a four-year collegiate experience in higher education: Freshman (a time of exploration); Sophomore (including both academic and experiential activities); Junior (with an emphasis on accessible experiences); Senior (with a special focus on graduation and post-collegiate employment). ``And Then There Were None'' (1945): A close adaptation of Christie's novel (except for an altered ending), starring Barry Fitzgerald, Walter Huston, June Duprez and Judith Anderson. It does not, and perhaps ought to, cite recent studies that seek to place late medieval and early modern theories of language in relation to current theoretical debate (for example, the work of Judith Anderson, Anne Ferry, and Richard Waswo). |
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