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Franz Kafka |
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Kafka, Franz
Born July 3, 1883, in Prague; died June 3, 1924, in Kierling, near Vienna. Austrian author. Kafka was the son of bourgeois Jewish parents. He studied at the law faculty at the University of Prague from 1901 to 1906 and worked for an insurance company from 1908 to 1922. Kafka’s stories first appeared in magazines in 1909. The collection Reflection (1913) and the stories “The Judgment” and “The Stoker” (1913) and “The Metamorphosis” (1916) were published separately. After World War 1 Kafka published the story “In the Penal Colony” (1919) and the collections A Country Doctor (1919) and A Hunger-Artist (1924). His friend M. Brod, the executor of his will, published three novels by Kafka in 1925 and 1926—Amerika (unfinished), The Trial, and The Castle —as well as the collection of stories The Great Wall of China (1931). Kafka’s writing is characterized by verisimilitude of details, events, and the thoughts and behavior of individual people, presented in unusual, often absurd interrelationships and in nightmarish or fantastic fairy-tale-like situations. Embodied in the images and conflicts of Kafka’s works are the tragic powerless-ness of the doomed “little man,” and at the same time the merciless cruelty and absurdity of the bourgeois social system and its laws, customs, and morals. The alogism of thought frequently makes it difficult to understand Kafka’s prose. Kafka’s creative method, characteristic of 20th-century modernist literature, influenced, to varying degrees and in various forms, many German and Austrian writers, the Swiss authors M. Frisch and F. Dürrenmatt, the French writers J. P. Sartre and A. Camus, such representatives of the “literature of the absurd” as E. Ionesco and S. Beckett, and some literary figures of the USA and other countries of the Americas. Soviet literary criticism views Kafka’s creative work as an artistically brilliant expression of the deep crisis of bourgeois society, seen as a hopeless impasse from which the writer saw no escape. WORKSGesammelte Werke, vols. 1–8. Frankfurt am Main, 1951–58.Tagebücher. [Frankfurt am Main, 1967.] Briefe. Frankfurt am Main, 1958. Briefe an Milena. Frankfurt am Main, 1952. In Russian translation: Roman, Novelly, Pritchi. [Preface by B. Suchkov.] Moscow, 1965. “Iz dnevnikov.” Voprosy literatury, 1968, no 2. “Pis’mo k ottsu.” Zvezda, 1968, no. 8. REFERENCESZatonskii, D. V. Fronts Kafka i problemy modernizma. Moscow, 1965.Knipovich, E. “F. Kafka.” In Sila pravdy. Moscow, 1965. Dneprov, V. Cherty romana XX v. Moscow-Leningrad, 1965. Pages 117–71, 199–207. Suchkov, B. “F. Kafka.” In Liki vremeni. Moscow, 1969. Janouch, G. Gespräche mit Kafka. Frankfurt am Main, 1951. Richter, H. Franz Kafka. Berlin, 1962. Brod, M. Über Franz Kafka. [Frankfurt am Main-Hamburg, 1966.] L. Z. KOPELEV Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | Then, when I started writing seriously, I set aside my Kafkian plays (Passport, Onda media) to be a comedy writer, inspired by Jardiel Poncela (that's why the second scene in Divorciadas, evangelicas y vegetarianas takes place in a movie theater, as a wink to Poncela's Eloisa). His brilliant reflections merit being quoted verbatim, as in the following case (Suarez-Orozco, 1989): As a Kafkian character on trial by his own unconscious mind, Ernesto's fears followed him day and night and he became a captive of the culture of terror, although he was innocent. Even the protagonist of "Tenure," who for decades tosses around in a kind of Kafkian academic inferno, finally develops a serenity that comes from her inner strength and her sense of purpose, rather than from actually achieving tenure. |
Kafkian |
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