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Karajan, Herbert Von |
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Karajan, Herbert von (käräyän`), 1908–89, Austrian conductor. Karajan began his conducting career in 1927. After World War II his reputation spread through Europe to the United States. He toured with various orchestras (notably the Berlin Philharmonic) and participated in many of Europe's music festivals. He was musical director of the Berlin Philharmonic and was artistic director of the Vienna State Opera (1956–64). He was a remarkable conductor, but his dictatorial style made him controversial.
Karajan, Herbert von(born April 5, 1908, Salzburg, Austria—died July 16, 1989, Anif, near Salzburg) Austrian conductor. A child prodigy on the piano, he attended Salzburg's Mozarteum. He took his first conducting post in Ulm in 1929. In 1933 he joined the Nazi Party, and under the Third Reich his reputation grew swiftly. After World War II he initially was not allowed to conduct, but in 1947 he began recording with the Vienna Philharmonic, the start of a legacy of some 800 recordings. His U.S. debut in 1955 was attended by controversy over his Nazi-era activities. That same year he became Wilhelm Furtwängler's successor at the Berlin Philharmonic, and he headed the Salzburg Festival from 1964 until his death. Karajan, Herbert Von Born Apr. 5, 1908, in Salzburg. Austrian conductor. Karajan pursued his musical training at the Mozarteum in Salzburg. He was conductor of the opera in Ulm (1927–34) and Aachen (1934–41) and then of the Berlin State Chorus (1941–44). Since the war, Karajan has come to be a leading figure in the musical life of Western Europe. In 1947 he became conductor of the Vienna Gesellschaft der Musikfreunde and has participated in festivals in Salzburg, Vienna, Bayreuth, Berlin, and Munich. He has toured with the Vienna Symphony and the London Philharmonia and has appeared as conductor and director in many European opera theaters. After N. Furtwängler’s death in 1954, he became head of the Berlin Philharmonic Orchestra (West Berlin); at the same time, he was musical director of the Vienna State Opera (1956–64) and the Salzburg Festival (1957–60). In 1962, 1964, and 1969, he appeared in the USSR. Karajan’s conducting is characterized by fidelity to the composer’s score, irreproachable sense of musical form, and keen intellectual perception of the work. REFERENCESRubin, M. “Tri portreta.” Sovetskaia muzyka, 1962, no. 4.Sabinina, M. “Na kontsertakh Gerberta Karaiana.” Muzykal’naia zhizn’ 1969, no. 16. Herzfeld, F. Herbert von Karajan, 2nd ed. Berlin, 1962. Haeusserman, E. H. von Karajan: Biographie. [Güthersloh, 1968.] E. IA. RATSER Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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