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Karel Van Mander

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Mander, Karel Van 

(also Carel van Mander). Born in 1548 in Meulebeke, Flanders; died Sept. 2, 1606, in Amsterdam. Dutch painter, poet, art historian, and art theorist.

Between 1569 and 1573, van Mander wrote religious dramas. He lived in Rome from 1573 to 1577. Upon his return to the Low Countries in 1583, he founded in Haarlem the first Dutch academy of arts with H. Goltzius and Cornelisz van Haarlem. Van Mander wrote The Painter’s Book, whose most interesting section was a collection of biographies of Dutch and German artists that was modeled on Vasari’s Lives. The book is an extremely important source for the study of 15th- and 16th-century Northern European art. Van Mander’s work as a theorist and painter (mythological and genre compositions) showed a tendency toward mannerism.

WORKS

Het schilderboeck. Haarlem, 1604.
Het schilderboeck. [Utrecht, 1969.]
In Russian translation:
Kniga o khudozhnikakh. Moscow-Leningrad, 1940.

REFERENCE

Noë, H. Carel van Mander en Italië. The Hague, 1954.


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And Sellink usefully reminds the reader that the greater part of Bruegel's oeuvre is concerned with religious themes; Bruegel's reputation above all as a painter of peasant scenes is due in part to the numerous copies of his peasant pictures by his son Pieter the Younger, and perhaps most of all to the written account of Karel van Mander, the biographer of Netherlandish artists, who was particularly taken with Bruegel's interest in the life of farmers.
It began with the first historian of northern art, Karel van Mander, who--around 1600--took his hometown of Haarlem to be an artistic cradle.
Demand for luxury goods created a flourishing art market, for as Karel van Mander put it, "art gladly resides with wealth" (5).
 
 
 
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