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Karl Friedrich Schinkel

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Schinkel, Karl Friedrich 

Born Mar. 13, 1781, in Neuruppin, Brandenburg; died Oct. 9, 1841, in Berlin. German architect, painter, and graphic artist.

Schinkel studied at the Berlin Academy of Architecture under F. Gilly from 1798 to 1800. He worked mainly in Berlin. He initially concentrated on painting and the graphic arts, producing landscapes, panoramas, works of stage design, drawings, and lithographs in the romantic style.

The most outstanding representative of late classicism in 19th-century German architecture, Schinkel strove for laconically monumental composition. His works include the Neue Wache (now a monument to the victims of fascism and militarism), the Drama Theater, and the Altes Museum, all in Berlin. He also revealed romantic tendencies in his pseudo-Gothic buildings, including a chapel in Petergof (1831–33). In the last years of his life, renouncing the forms of classicism and the Gothic, he anticipated the principles of rationalism, for example, in the Academy of Architecture in Berlin (1831–35). He also was an architectural theorist.

WORKS

Grundlage der praktischen Baukunst, 4th ed., vols. 1–4. Berlin [1850].
Briefe, Tagebücher, Gedanken. Berlin [1922].

REFERENCES

Rave, P. O. Karl Friedrich Schinkel. Berlin [1948].
Karl Friedrich Schinkel’s Lebenswerk, vols. 1–7, 9–13. Berlin-Munich, 1939–69. (Publication in progress.)
Pundt, H. G. Schinkel’s Berlin. Cambridge, Mass., 1972.


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Whether this reflected a genuine passion for Friedrich the Great's achievements or was merely the romance of fresh imagination to the idea of the ancient gods, the competition drawings had a force that deeply impressed the person whose imagination would most shape the future of the Lustgarten: Karl Friedrich Schinkel.
The Cult of the Artist" (through February 15), celebrating such artists as Joseph Beuys, Caspar David Friedrich, Alberto Giacometti, Martin Kippenberger, Paul Klee, Jeff Koons, Hans von Marees, Karl Friedrich Schinkel, Andy Warhol, and, indirectly, the Pharaonic sculptor Thutmose.
The 26 articles, by leading scholars in Europe and the US, consider questions of artistic temperament in works that range from the paintings of Petrus Christus, early German prints, and 15th- century manuscript painting to later works, including a painting by Rubens, and the work of Karl Friedrich Schinkel.
 
 
 
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