Mizoguchi Kenji

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Mizoguchi Kenji


Born May 16, 1898, in Tokyo; died Aug. 24, 1956, in Kyoto. Japanese film director.

Mizoguchi graduated from an art school in Tokyo. In 1922 he made his debut with the film The Day When Love Returns. In the 1920’s, Mizoguchi showed an interest in social topics. The conflict between traditional and modern values became the main theme of his work. The films Osaka Elegy (1936) and Sisters of the Gion (1936), which dealt with the life of the Japanese woman, were the greatest achievements in realism of the prewar Japanese cinema.

Among Mizoguchi’s best works were The Life of O’Haru (1952), Ugetsu Monogatari (1953), and Sansho the Bailiff (1954). A number of Mizoguchi’s films received prizes at the International Film Festival in Venice (1952, 1953, 1954).


Iwasaki, A. Istoriia iaponskogo kino. Moscow, 1966. (Translated from Japanese.)
Mesnil, M. Mizoguchi Kenji. Paris, 1965.
References in periodicals archive ?
In the series "Cannes Classic," digitally restored masterworks will be shown, among them films by Andrei Tarkovsky, Kenji Mizoguchi and Jean-Luc Godard.
Doorways, gates, windows, and painted screens create vertiginous layers of framing, and the prominence of fluttering curtains and hanging objects invites comparison to the dense mise-en-scene of both Josef von Sternberg and Kenji Mizoguchi.
Kazuo Miyagawa, known for his collaborations with Akira Kurosawa ("Rashoman") and Kenji Mizoguchi ("Ugetsu"), and, of course, Hall, whom he idolized.
I would like to introduce The Story of the Last Chrysanthemum (Zangiku Monogatari), which was directed by Kenji Mizoguchi and released in 1939.
Directed by Kenji Mizoguchi, the film won the International Prize at the 1952 Venice International Film Festival and was nominated for the Golden Lion Award.
Cette annee, le Festival mettra en lumiere les maitres du Levant de l'histoire du cinema du Japon: de Yasujiro Ozu a Kore-Eda Hirokazu, en passant par Kenji Mizoguchi, Mikio Naruse, Akira Kurosawa, Nagisa Oshima, Shohei Imamura, Takeshi Kitano, Hayao Miyazaki, Shinji Aoyama, Naomi Kawaze, Kyoshi Kurosawa, Mamoru Oshii, Takashi Miike et Masaki Kobayashi-, peut-on lire sur le site du FIFM.
The most famous in the West is the 1941 classic directed by Kenji Mizoguchi, which is often described as a four-hour action film (it's in two parts) without a single action sequence -- it "subjugates swordplay and bloodshed to contemplation and emotion," wrote critic Gary Morris -- but most of the others tend to be quite rousing, as you'd expect from a tale of master-less samurai taking revenge for the death and dishonour of their former master.
Replying to a question that whether Japanese directors are reworking on the classical works of the legendary directors like Kinoshita Keisuke, Ozu, Akira Kurosawa and Kenji Mizoguchi, Mr.
Todo un seguimiento, tambien, de las tecnicas de animacion, desde lo mas rudimentario hasta la modernidad; lo mas conmovedor es quiza la mascara mortuoria de Kenji Mizoguchi.
Kenji Mizoguchi fue descubierto en Europa y en Estados Unidos en la decada de los 50, aunque llevaba varios anos de trabajo exitoso en Japon.
This visually beautiful film, directed by Kenji Mizoguchi, follows the lives of two ambitious 16th-century potters as civil war rages in Japan.
Kitano, 56, is the second Japanese director to receive the award at the renowned film festival in Italy, following Kenji Mizoguchi, who captured the award in 1952.