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Related to Kinaesthetics: kinesthetic sense


The sense of position and movement of the limbs and the sense of muscular tension. The awareness of the orientation of the body in space and the direction, extent, and rate of movement of the limbs depend in part upon information derived from sensory receptors in the joints, tendons, and muscles. Information from these receptors, called proprioceptors, is normally integrated with that arising from vestibular receptors (which signal gravitational acceleration and changes in velocity of movements of the head), as well as from visual, auditory, and tactile receptors. Sensory information from certain proprioceptors, particularly those in muscles and tendons, need not reach consciousness, but can be used by the motor system as feedback to guide postural adjustments and control of well-practiced or semiautomatic movements such as those involved in walking.

Receptors for proprioception are the endings of peripheral nerve fibers within the capsule or ligaments of the joints or within muscle. These endings are associated with specialized end organs such as Pacinian corpuscles, Ruffini's cylinders, and Golgi organs (the latter resembling histologic Golgi structures in the skin), and muscle spindles. See Cutaneous sensation, Sensation, Somesthesis


The reception of internal stimuli.
Sensory awareness of one's location with regard to the external environment.
References in periodicals archive ?
Yet above and beyond issues specifically related to kinaesthetic functioning, the overall task of retrieving presuppositions and other performances from anonymity can also be seen in terms of two different directions of research.
Instead, what is at stake is a new type of transcendental experience in which I am lucidly living-through the shifting play of primal sensuous affection and its intimately interwoven affective tone, in its equally intimate correlation with primal kinaesthetic functioning, in the primal standing-streaming present: it is a matter of appreciating primal temporalization not as an abstract or empty form, but in terms of a contentually filled and affectively tinged specificity in which I myself am already kinaesthetically participating (even if I am not consciously controlling my participation).
But when we look to recent history, we may well wonder whether the lived, kinaesthetic experience of trust and safety is truly possible in our uprooted world.