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King Wallis Vidor
(redirected from King Vidor)

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Vidor, King Wallis 

Born Feb. 8, 1894, in Galveston, Texas. American film director and producer.

Vidor studied at the Peacock Military Academy in Texas, and in 1913 he began his work in the field of motion pictures. He directed films that made an important contribution to the realistic trend in American cinematic art. These include The Big Parade (1925), The Crowd (1928), Our Daily Bread (1934), and The Citadel (1938, based on A. J. Cronin’s work of that name). These films were devoted to socially significant problems—the condemnation of imperialistic war, unemployment in the USA, and the fate of science in a capitalist society. Vidor was the director of the motion picture War and Peace (1956, based on L. N. Tolstoy’s novel), which he produced together with Italian filmmakers.

WORKS

A Tree Is a Tree (autobiography). New York, 1953.

REFERENCE

Jacobs, L. The Rise of the American Film. New York, 1939.


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Similarly, King Vidor borrowed DeMille's point-of-view shot of the construction elevator racing towards the heavens for his The Fountainhead (Birchard 2004:189), while Francois Truffaut noted Mikhail Romm's enormous stylistic debt to DeMille for Admiral Ushakov (Dixon 1993:129).
The same year, director King Vidor said: "It is wonderful to find a cigarette that relaxes your nerves, and at the same time insures you against throat irritation - a condition from which film directors are bound to suffer.
Altman's five nominations (for directing ``M*A*S*H,'' ``Nashville,'' ``The Player,'' ``Short Cuts'' and ``Gosford Park'') ties him in Oscar futility with filmmakers Alfred Hitchcock, Martin Scorsese, Clarence Brown and King Vidor.
 
 
 
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