Klee, Paul

Klee, Paul (poul klā), 1879–1940, Swiss painter, graphic artist, and art theorist, b. near Bern. Klee's enormous production (more than 10,000 paintings, drawings, and etchings) is unique in that it represents the successful combination of his sophisticated theories of art with a very personal inventiveness that has the appearance of great innocence. The son of a music teacher, Klee himself was a violinist, and musical analogies permeate his writing and his approach to art. He traveled through Europe, open to many artistic influences. The most important of these were the works of Blake, Beardsley, Goya, Ensor, and, especially, Cézanne. In 1911 he became associated with the Blaue Reiter group and later exhibited as one of the Blue Four. Klee's awakening to color occurred on a trip to Tunis in 1914, a year after he had met Delaunay and been made aware of new theories of color use. Thereafter his whimsical and fantastic images were rendered with a luminous and subtle color sense.

Klee's works are neither abstract nor figurative, but have strong elements of both approaches. Characteristic of his gently witty paintings are The Twittering Machine (1922, Mus. of Modern Art, New York City) and Fish Magic (1925, Phila. Mus. of Art). Other works reveal strong, rhythmic patterns, as in the unsettling Viaducts Break Ranks (1937, Hamburg). World famous by 1929, Klee taught at the Bauhaus (1920–31) and at the Düsseldorf academy (1931–33) until the Nazis, who judged his work degenerate, forced him to resign. He and his family fled Germany for his native city in 1933. In his series of Pedagogical Sketchbooks (tr. 1944) and lecture notes entitled The Thinking Eye (tr. 1961), Klee sought to define his intuitive approach to artistic creation. His last ten years were spent in Switzerland, and some 4,000 of his works are in the Paul Klee Center, Bern.

Bibliography

See his notebooks, ed. by J. Spiller (2 vol., tr. 1992); his diaries, ed. by his son Felix Klee (tr. 1964); his life and work in documents, ed. by F. Klee (tr. 1962); studies by J. M. Joran (1984), C. Lanchner, ed. (1987), O. K. Werckmeister (1989), and M. Franciscono (1991).

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Klee, Paul

Klee, 1939

(credit: Aufnahme Fotopress)

(born Dec. 18, 1879, Münchenbuchsee, Switz.—died June 29, 1940, Muralto) Swiss painter. After studies in Germany and Italy, he settled in Munich, where he became associated with Der Blaue Reiter (1911). He taught at the Bauhaus (1920–31), then at the Düsseldorf Academy. He lost his post when the Nazis came to power in 1933 and returned to Switzerland. One of the foremost artists of the 20th century, he belonged to no movement, yet he assimilated and even anticipated some of the major artistic tendencies of his time. Using both representational and abstract approaches, he produced some 9,000 paintings, drawings, and watercolours in a great variety of styles. His works, which tend to be small in scale, are remarkable for their delicate nuances of line, colour, and tonality. In Klee's highly sophisticated art, irony and a sense of the absurd are joined to an intense evocation of the mystery and beauty of nature. Music figures prominently in his work—in his many images of opera and musicians, and to some extent as a model for his compositions. But literature had the greater pull on him; his art is steeped in poetic and mythic allusion, and the titles he gave to his pictures tend to charge them with additional meanings. His late paintings, anticipating his approaching death, are among his most memorable.

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Klee, Paul 

Born Dec. 18, 1879, in Münchenbuchsee, near Bern; died July 29, 1940, in Muralto, near Locarno. Swiss painter and graphic artist.

From 1898 to 1901, Klee studied under F. Stuck at the Academy of Arts in Munich. From 1906 to 1920 he lived in Munich, where he became a member of the Blaue Reiter. Klee was a professor at the Bauhaus in Weimar and Dessau from 1921 to 1930 and at the Düsseldorf Academy of Arts from 1931 to 1933. Forced to leave the academy by the fascists, he returned to Bern.

Klee was a leading proponent of expressionism. His art tended toward the abstract and the fantastic and was highly individualistic. Klee was attracted to the musicality of color combinations, the naïveté of children’s drawings, and the alleged mystery of certain pictorial motifs and symbols.

REFERENCE

Grohmann, W. Paul Klee. [Stuttgart] 1954.