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Maria Callas
(redirected from La Divina)

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Callas, Maria 

(real surname, Kalogeropoulou). Born Dec. 3, 1923, in New York. Opera singer (lyric-dramatic soprano).

Callas, a Greek by nationality, is an outstanding representative of contemporary vocal art. In 1937 she began to study singing under E. de Hidalgo at the Conservatory of Athens. In 1938 she made her debut at the Athens Opera. In the late 1940’s, Callas sang in Italian theaters. Since the early 1950’s she has sung in the world’s most prominant theaters, including La Scalain in Milan (1950), Covent Garden in London (1952), the Chicago Opera House (1954-55), and the Metropolitan Opera House in New York (1956-58). In 1960, Callas became a soloist at La Scala.

Her vocal technique is similar to that of the Italian romantic school of opera (mastery of bel canto). Her performances are characterized by a unity of vocal and dramatic imagery. Callas’ most successful parts have included the title roles in Donizetti’s Lucia de Lammermoor and Anna Bolena; Norma, Amina, and Imogena in Bellini’s Norma, La Sonnambula, and Il Pirata; Violetta in Verdi’s La Traviata; and the title role in Puccini’s Tosca.

REFERENCE

Timokhin, V. “Mariia Kallas.” In Vydaiushchiesia itaVianskie pevtsy:Ocherki. Moscow, 1962.


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Marlouw se besoek aan Suid-Afrika is 'n nagmerrietog deur 'n land wat verval het, waar korrupsie hoogty vier en waar wanhopige en dolende vigsbesmettes onwillekeurig beelde oproep van die gedoemdes in Dante se beskrywing van die hel in sy La Divina Commedia.
Dicha confusion es patente en el canto XXVI del "Purgatorio" de la Divina Comedia de Dante: "Nostro peccato fu ermafrodito;/ ma perche non servammo umana legge,/ seguendo come bestie l'appetito .
For the three weeks of his vacation, Tom had found the egregious prohibitions on smoking in this vast, sun-baked, polyglot country increasingly intrusive, and his love affair with la divina nicotina was coming to an end.
 
 
 
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