La Farge, John

La Farge, John (lə färzh), 1835–1910, American artist and writer, b. New York City. He studied with William Morris Hunt in Newport, R.I., and with Couture in Paris. La Farge began his career as a painter of landscapes and figure compositions. Commissioned (1876) to decorate Trinity Church, Boston, he thereafter engaged primarily in mural painting and the manufacture and design of stained glass. An eclectic artist and a man of the widest culture, friend of Henry Adams and Henry James, La Farge did much to create a sound tradition of the fine arts in the United States. His murals in Trinity Church and the Church of the Ascension, New York City, set a standard for the art unsurpassed in the United States. A lifelong Roman Catholic, he did much of his best work for churches. His splendid windows may be seen in the churches of Buffalo, N.Y., and Worcester, Mass., and in the chapels of Harvard and Columbia universities. La Farge worked in many media. His watercolors and drawings are well known, particularly those commemorating his visit to the South Seas in 1886. His easel paintings are in many leading American museums. His writings and lectures on art are distinguished for their urbanity and judgment. Among them are Considerations on Painting (1895), An Artist's Letters from Japan (1897), The Higher Life in Art (1908), and Reminiscences of the South Seas (1912).

Bibliography

See study by R. Cortissoz (1911, repr. 1971).

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La Farge, John (1835–1910) painter, multi-media artist; born in New York City. After study with Couture in Paris (1856), and William Morris Hunt in Newport, R.I. (1859), he maintained a studio in New York City. He worked as a sculptor, muralist, oil and water color painter, and stained glass designer. He decorated many churches, notably Trinity Church, Boston (1876), and among other accomplishments, invented opaline glass, an iridescent form of milk glass. His most famous painting, Manua Our Boatman (1891), produced after a trip to the South Seas with Henry Adams (1890), is a striking and original work.