Lamentations

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Lamentations,

book of the Bible, placed immediately after Jeremiah, to whose author it has been ascribed since ancient times. It was probably composed by several authors. It is a series of five poems mourning the destruction of Jerusalem by Babylon. Each of the the first four poems is an alphabetical acrostic, the third having three verses to the letter, instead of one. The book begins with dirges, followed by a psalm of lament with expressions of trust. The psalm is followed by another dirge expressing grief and longing for divine intervention. It concludes with a lament and a prayer for the restoration of the fortunes of Jerusalem.

Bibliography

See study by D. R. Hillers (rev. ed. 1992). See also bibliography under Old TestamentOld Testament,
Christian name for the Hebrew Bible, which serves as the first division of the Christian Bible (see New Testament). The designations "Old" and "New" seem to have been adopted after c.A.D.
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References in periodicals archive ?
Using evidence from both the physical book (in particular the binding) and its contents I have been able to offer some precise information on this manuscript, and to provide it with a context in a tradition of other manuscript and printed books of Lamentations of Jeremiah in Spain.
1727), again in French and English; an excerpt from the "Paris Ceremonial" (Caeremoniale Parisiense) of 1662, on the use of the organ during services, given in English; the lessons from the first nocturne of matins for Maundy Thursday (the Lamentations of Jeremiah, for Couperin's Lecons de tenebres), given in Latin and English; brief descriptions of dance types used by Couperin; and a facsimile of Couperin's table of ornaments from the first book of Pieces de clavecin (1713).
30pm opens with Miserere by Allegri, the Gloria and Sanctus from Palestrina's Missa Papae Marcelli and The Lamentations of Jeremiah by Tallis.
Other liturgical or biblical texts come into play for such pieces as Thomas Tallis's Lamentations of Jeremiah, Claudio Monteverdi's Vespers (Vespro delle Beata Vergine), Heinrich Schutz's St.
Edited by Australian musicologist Jane Monet Hardie, volume 2 of the composer's collected works (published by the Institute of Mediaeval Music) now makes available Penalosa's Lamentations of Jeremiah, which are uniquely preserved in one of the most important manuscript sources for the early Renaissance repertory in Spain-- Tarazona, Archivio Capitular de la Cathedral, MSS 2-3.