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Laocoön |
Also found in: Wikipedia, Hutchinson | 0.07 sec. |
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Laocoön (lāŏk`ōŏn), in Greek mythology, priest of Apollo who warned the Trojans not to touch the wooden horse made by the Greeks during the Trojan War. While he and his two sons were sacrificing to Poseidon at the seashore, two serpents came from the water and crushed them. The Trojans interpreted this event as a sign of the gods' disapproval of Laocoön's prophecy, and they brought the wooden horse into the city. Subsequent events vindicated Laocoön's judgment, however, since the horse was filled with Greeks, who waited until night and then sacked Troy. A magnificent Greek statue by Agesander, Athenodorus, and Polydorus, unearthed in Rome in 1508 and now in the Vatican, shows Laocoön and his sons in their death struggle. This Hellenistic sculpture had an important influence on the artists of the Renaissance. LaocoönIn Greek legend, a seer and priest of Apollo. He was the son of Agenor of Troy or the brother of Aeneas's father Anchises. Laocoön offended Apollo by breaking his priestly vow of celibacy and begetting children, and by warning the Trojans not to accept the wooden horse presented by the Greeks. While preparing to offer a sacrifice to Poseidon, he and his two sons were crushed to death by sea serpents sent by Apollo. Laocoön Trojan priest warns citizens not to accept wooden horse. [Rom. Lit.: Aeneid] See : Warning How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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| The Ekphrastic Principle and the Still Movement of Poetry; or Laokoon Revisited. The theoretical apparatus that Small employs in order to enact this critique is reminiscent of the reading lists for graduate students in comparative literature in the 1980s, from Lessing's essay on Laokoon and Propp's plot typologies, to Barthes's S/Z. The theoretical apparatus that Small employs in order to enact this critique is reminiscent of the reading lists for graduate students in comparative literature in the 1980s, from Lessing's essay on Laokoon and Propp's plot typologies, to Barthes's S/Z. |
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