Laughton, Charles (redirected from Laughton)

Laughton, Charles, 1899–1962, Anglo-American actor, b. Scarborough, England. A large, versatile character actor, Laughton was successful both in films and on the stage. In The Private Life of Henry VIII (1933), his lusty portrait of the king, for which he won the Academy Award, was startlingly direct. Other notable roles include Ruggles of Red Gap (1935), Mutiny on the Bounty (1935), Witness for the Prosecution (1957), and Advise and Consent (1962). He directed one film, The Night of the Hunter (1955), a forceful allegory of good and evil. In 1951 he directed and starred in a dramatic reading of Shaw's Don Juan in Hell.

Bibliography

See biography by his wife, Elsa Lanchester (1938); S. Callow, Charles Laughton: A Difficult Actor (1987, repr. 1997).

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Laughton, Charles

(born July 1, 1899, Scarborough, Yorkshire, Eng.—died Dec. 15, 1962, Hollywood, Calif., U.S.) British actor. He made his London stage debut in 1926 and acted in plays such as The Government Inspector, Medea, and Payment Deferred, in which he made his New York debut in 1931. He appeared in movies from 1929 and earned international acclaim in The Private Life of Henry VIII (1933, Academy Award). With his bulky frame and ordinary face Laughton defied Hollywood typecasting and emerged as one of the most versatile performers of his generation. He played a wide range of character roles in films such as Mutiny on the Bounty (1935), Ruggles of Red Gap (1935), The Hunchback of Notre Dame (1939), Witness for the Prosecution (1957), and Advise and Consent (1962). He directed the memorable The Night of the Hunter (1955).

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Laughton, Charles (1899–1962) stage and film actor; born in Scarborough, England. After working in his family's hotel business, he turned to the English stage (1926). He came to the U.S.A. (1932) to appear in Hollywood movies, and remained to star in many stage and film roles. At home in Shakespeare and modern horror pictures, he also directed and starred in such legendary productions as Shaw's Don Juan in Hell and Brecht's Galileo.