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Comte de Lautréamont
(redirected from Lautreamont)

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Lautréamont, Comte de 

(pseudonym of Isidore Ducasse). Born Apr. 4, 1846, in Montevideo; died Nov. 24, 1870, in Paris. French poet.

Lautréamont left a paradoxical poetic legacy. He initially expounded a violent rejection of the moral and social principles of modern society in the poem Les Chants de Maldoror (1868-69; published in full, 1890); with the same force and conviction he denounced what he considered the unwholesome excesses of European romanticism in the collection Poems: Preface to a Future Book (1870). The first book contained finished prose poems united by a single hero and the intricate plotting of horror fiction; the second was a series of lively aphorisms, in which Lautreamont sang of goodness and of boundless faith in man’s strength and his future.

Lautréamont’s works, rediscovered in the 20th century by the surrealists, foreshadowed the tragic floundering of Western European poetry in its course from symbolism to futurism. Both the modernist and the realistic traditions of modern French poetry (P. Eluard, L. Aragon) proceed from Lautréamont’s work.

REFERENCES

Gourmont, R. de. Kniga masok. St. Petersburg, 1913. (Translated from French.)
Balashov, N. “Neotrazimosf Eluara.” In Poeziia sotsializma. Moscow, 1969. Pages 77-80, 101, 102.
Lautréamont: Une etude par Ph. Soupault. Extrait, documents, bibliographie. [Paris, 1946.]
Bachelard, G. Lautreamont, new ed. Paris, 1956.
Pleynet, M. Lautreamont par lui-meme. Paris, 1967.
Lautréamont. Published under the direction of M. Chaleil. [Toulouse, 1971.]
Philip, M. Lectures de Lautréamont. Paris [1971].

N. N. POLIANSKII



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Nadia Tuehi was not only influenced by the French language of LautrEamont, Rimbaud and the surrealist poets but by the Arabic language of avant-garde poets such as Adonis.
He had read, without much discernment, the works of Nietzsche; and more closely, and with crazy devotion, the incoherent (bizarre and scabrous where comprehensible at all) rants of Les Chants de Maldoror, by a Creole, Isadore Ducasse, who called himself the Count of Lautreamont and died of his excesses at the age of twenty-four.
Die band met die teorie van die teks is evident deur die metafoor van die teks en die verwysing na die spinnekop ("web-spinner") --'n beeld wat nie vreemd is aan Nietzsche en Lautreamont nie.
 
 
 
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