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Baraka, Amiri |
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Baraka, Amiri (amērē bərä`kə), 1934–, American poet, playwright, and political activist, b. Newark, N.J., as LeRoi Jones, studied at Rutgers Univ., Howard Univ. (B.A., 1954). He gained notoriety in 1964 when four of his plays—Dutchman, The Toilet, The Baptism, and The Slave—were produced Off-Broadway in New York City. A provocative political analyst, he has written many works that express a strident anger toward the racism of mainstream white American society. His volumes of poems include Preface to a Twenty Volume Suicide Note (1961), Selected Poetry (1979), Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones, 1961–1995 (1995), and Eulogies (1996); among his many plays are The Motion of History and Other Plays (1978) and Election-Machine Warehouse (1996); his volumes of essays include Blues People: Negro Music in White America (1963, repr. 1980) and Daggers and Javelins (1984). With his second wife, Amina Baraka, he edited Confirmation: An Anthology of African-American Women (1983). His collected fiction was published in 2000.
Baraka has been intensely involved with the African-American community. He founded Harlem's Black Arts Repertory Theatre in 1965, three years later establishing the Black Community Development and Defense Organization, and starting the Black National Political Convention in 1972. He has also taught at a number of colleges and universities. In 2002 Baraka was named New Jersey's third poet laureate. However, one of his poems suggested Israel had foreknowledge of the 2001 terrorist attack on the World Trade Center World Trade Center, former building complex in lower Manhattan, New York City, consisting of seven buildings and a shopping concourse on a 16-acre (6.5-hectare) site; it was destroyed by a terrorist attack on Sept. 11, 2001. BibliographySee his memoirs, The Autobiography of Amiri Baraka/LeRoi Jones (1984, rev. ed. 1997); C. Reilly, ed., Conversations with Amiri Baraka (1994); studies by T. R. Hudson (1973), W. Sollors (1978), W. J. Harris (1987), K. Woodard (1999), and J. G. Watts (2001). Baraka, (Imamu) Amiriorig. (Everett) LeRoi Jones(born Oct. 7, 1934, Newark, N.J., U.S.) U.S. playwright, poet, and activist. After graduating from Howard University and serving in the U.S. Air Force, he joined the Beat movement and in 1961 published his first major poetry collection. His play Dutchman (1964), produced off-Broadway, explored the suppressed hostility of U.S. blacks toward the dominant white culture. After the assassination of Malcolm X in 1965, Baraka became involved in black nationalism and founded the Black Arts Repertory Theatre in Harlem. In 1974 he adopted a Marxist-Leninist philosophy. He was appointed Poet Laureate of New Jersey in 2002. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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Then I read a lot of African American poets, like Langston Hughes, like the Jamaican Harlem Renaissance poet Claude McKay, African American writers like Gwendolyn Brooks, Sonia Sanchez, and LeRoi Jones. That's like saying that LeRoi Jones is as good as a watermelon. Right, and Andy Warhol was "a gleam in Eleanor Ward's eye," Mlen Ginsberg felt the need to become "a spokesmodel for the United Colors of Benetton before there was such a thing," and James Schuyler and LeRoi Jones were "mad"? |
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