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Lillian Hellman

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Hellman, Lillian 

Born June 20, 1905, in New Orleans, La. American writer and dramatist.

Hellman studied at New York University and Columbia University. Her realistic, socially significant work is filled with profound interest in man’s inner life, exemplified in such plays as The Children’s Hour (1934) and The Days to Come (1936). A bourgeois family’s history of predatory accumulation of wealth is unfolded in The Little Foxes (1939; Russian translation, 1944) and Another Part of the Forest (1947; presented on the Soviet stage as Ladies and Gentlemen).

During World War II, Hellman created the bold antifascist plays Watch on the Rhine (1941) and The Searching Wind (1944) and a screenplay, The North Star (1943), about the heroic struggle of Soviet guerrillas. The themes of her postwar plays reflect the destiny, mood, and spiritual confusion of a segment of the American intelligentsia; these plays include The Autumn Garden (1951) and Toys in the Attic (1960; Russian translation, 1967). Hellman has also published autobiographical works—An Unfinished Woman (1969), Pentimento: A Book of Portraits (1973), and Scoundrel Time (1976).

For several decades, Hellman has taken part in the antifascist democratic movement in the USA. She visited the USSR in 1944 and again in 1967. Her plays have been presented in many Soviet theaters.

WORKS

My Mother, My Father and Me. New York, 1963.
Collected Plays. Boston, 1971.
In Russian translation:
P’esy. Moscow, 1958.
Pogonia: Kinostsenarii. Moscow, 1971.

REFERENCES

Golysheva, E. “Vozvrashchenie L. Khellman.” Inostrannaia literatura, 1975, no. 4.
Moody, R. Lillian Hellman: Playwright. New York, 1972.

I. M. LEVIDOVA



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Next, in "'These Three': The Influence of William Wyler and Gregg Toland on Lillian Hellman," Richard Hayes argues that Lillian Hellman's plays were inevitably (and demonstrably) inflected by a knowledge of film style she acquired from working with William Wyler and Gregg Toland.
30pm This Second World War drama should be a damp squib, but it works well thanks largely to a snappy script from Lillian Hellman, who adapted it from her own story.
Identifying notable scrapbookers ranging from Zelda Fitzgerald to Lillian Hellman to Anne Sexton, "Scrapbooks" draws from Jessica Helfand's own personal collection of more than 200 scrapbooks that collective span more than one hundred years of American history.
 
 
 
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