Longfellow, Henry Wadsworth, 1807–82, American poet, b. Portland, Maine, grad. Bowdoin College, 1825. He wrote some of the most popular poems in American literature, in which he created a new body of romantic American legends. Descended from an established New England family, after college he spent the next three years in Europe, preparing himself for a professorship of modern languages at Bowdoin, where he taught from 1829 to 1835. After the death of his young wife in 1835, Longfellow traveled again to Europe, where he met Frances Appleton, who was to become his second wife after a long courtship. She was the model for the heroine of his prose romance, Hyperion (1839). From 1836 to 1854, Longfellow was professor of modern languages at Harvard, and during these years he became one of an intellectual triumvirate that included Oliver Wendell Holmes and James Russell Lowell. Although a sympathetic and ethical person, Longfellow was uninvolved in the compelling religious and social issues of his time; he did, however, display interest in the abolitionist cause. He achieved great fame with long narrative poems such as Evangeline (1847), The Song of Hiawatha (1855), The Courtship of Miles Standish (1858), and Tales of a Wayside Inn (1863), which included "Paul Revere's Ride." In all of these works he used unusual, "antique" rhythms to weave myths of the American past. His best-known shorter poems include "The Village Blacksmith," "Excelsior," "The Wreck of the Hesperus," "A Psalm of Life," and "A Cross of Snow." Although he was highly praised and successful in his lifetime, Longfellow's literary reputation has declined in the 20th cent. His unorthodox meters, while contributing to the unique effects of his poems, have been much parodied, and many critics have viewed harshly his simple, sentimental, often moralizing verse. Longfellow made a poetic translation of Dante's Divine Comedy (1867), for which he wrote a sequence of six outstanding sonnets. After his death, he was the first American whose bust was placed in the Poet's Corner in Westminster Abbey.
(born Feb. 27, 1807, Portland, Mass., U.S.—died March 24, 1882, Cambridge, Mass.) U.S. poet. Longfellow graduated from Bowdoin College and traveled in Europe before joining the modern-language faculties of Bowdoin (1829–35) and Harvard (1836–54). His Voices of the Night (1839), containing “The Psalm of Life” and “The Light of the Stars,” first won him popularity. Ballads and Other Poems (1841), including “The Wreck of the Hesperus” and “The Village Blacksmith,” swept the nation, as did his long poem Evangeline (1847). With Hiawatha (1855), The Courtship of Miles Standish (1858), and Tales of a Wayside Inn (1863), including “Paul Revere's Ride,” he became the best-loved American poet of the 19th century. He later translated Dante's Divine Comedy (1867) and published his intended masterpiece, Christus, a trilogy on Christianity (1872). The hallmarks of his verse are gentleness, simplicity, and an idealized vision of the world.
Longfellow, Henry Wadsworth (1807–82) poet; born in Portland, Maine. After graduation from Bowdoin College (1825), he studied languages in Europe (1826–29) and became professor and librarian at Bowdoin (1829–35). After further study in Europe, he was appointed Smith Professor of French and Spanish at Harvard (1836–54). A collection of poetry, Voices in the Night (1839), contained the poems "A Psalm Life," "Hymn to the Night," and "The Light of the Stars," which soon became widely known. Ballads and Other Poems (1841), including such immensely popular works as "The Village Blacksmith," "The Wreck of the Hesperus," and "Excelsior," and his longer narrative poems, Evangeline (1847), The Song of Hiawatha (1855), and The Courtship of Miles Standish (1858), further served to make him the best-known American poet of the century. His Tales of a Wayside Inn (1863) opens with "Paul Revere's Ride," which has ever since been a national favorite. The widespread knowledge of these works and their inclusion in school curricula throughout the country did much to establish the popular notion of poetry in the U.S.A. well into the 20th century. For spiritual solace after the accidental death of his second wife in 1861, he translated The Divine Comedy of Dante Alighieri (1865–67) and produced a series of six sonnets, "Divina Commedia," which are among his finest poems. Although his work later came to be regarded as saccharine and didactic, there is no denying that he long played one of the traditional roles of a poet.
Bibliography
See his letters (ed. by A. Hilen, 4 vol., 1967–72); biographies by his brother, Samuel (3 vol., 1891; repr. 1969), T. W. Higginson (1902, repr. 1973), and N. Arvin (1963); studies by C. B. Williams (1964) and E. C. Wagenknecht (1986).
Longfellow, Henry Wadsworth
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Henry Wadsworth Longfellow.
(credit: Historical Pictures Service, Chicago)
Longfellow, Henry Wadsworth (1807–82) poet; born in Portland, Maine. After graduation from Bowdoin College (1825), he studied languages in Europe (1826–29) and became professor and librarian at Bowdoin (1829–35). After further study in Europe, he was appointed Smith Professor of French and Spanish at Harvard (1836–54). A collection of poetry, Voices in the Night (1839), contained the poems "A Psalm Life," "Hymn to the Night," and "The Light of the Stars," which soon became widely known. Ballads and Other Poems (1841), including such immensely popular works as "The Village Blacksmith," "The Wreck of the Hesperus," and "Excelsior," and his longer narrative poems, Evangeline (1847), The Song of Hiawatha (1855), and The Courtship of Miles Standish (1858), further served to make him the best-known American poet of the century. His Tales of a Wayside Inn (1863) opens with "Paul Revere's Ride," which has ever since been a national favorite. The widespread knowledge of these works and their inclusion in school curricula throughout the country did much to establish the popular notion of poetry in the U.S.A. well into the 20th century. For spiritual solace after the accidental death of his second wife in 1861, he translated The Divine Comedy of Dante Alighieri (1865–67) and produced a series of six sonnets, "Divina Commedia," which are among his finest poems. Although his work later came to be regarded as saccharine and didactic, there is no denying that he long played one of the traditional roles of a poet.
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