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Da Ponte, Lorenzo |
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Da Ponte, Lorenzo (lōrĕnt`sō dä pôn`tā), 1749–1838, Italian librettist and teacher, b. Ceneda as Emmanuele Conegliano. Born Jewish, he converted to Catholicism at 14, became (1773) a priest, and shortly after ordination moved to Venice. A freethinking liberal and sometime libertine and gambler, he was banished from Venice in 1779 due to several scandals. He lived briefly in Dresden, then settled (1781) in Vienna, where Emperor Joseph II named him (1783) poet of the imperial theaters, a post he held until 1790. During his tenure Da Ponte wrote the librettos for numerous operas. The most notable of these were for three Mozart masterpieces—The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790)—for which he contributed elegant, witty, and eminently singable words and created or adapted powerful plots and characters. Driven from Vienna after the emperor's death, Da Ponte wandered through Europe, married in Trieste, and settled (1792) in London. There he worked as a tutor of Italian, a bookseller, and a librettist to an Italian opera company until he went bankrupt in 1804.
A year later Da Ponte immigrated to America, where he failed in attempts to be a grocer, at selling medicines and drygoods, and at running a distillery. After a chance meeting with Clement Clarke Moore Moore, Clement Clarke, 1779–1863, American educator and poet, b. New York City, grad. Columbia, 1798. A biblical scholar, he was professor of Asian and Greek literature at the Episcopal General Theological Seminary, erected in New York City on land that he had BibliographySee his memoirs (1823–27; tr. 1929; ed. by A. Livingston, tr. 1955, repr. 2000) detailing his extraordinary life; biographies by J. L. Russo (1922, repr. 1966), A. Fitzlyon (1955, repr. 1982), L. J. Hetenyi (1988), S. Hodges (1985, repr. 2002), R. Bolt (2006), and A. Holden (2006); A. Steptoe, The Mozart–Da Ponte Operas (1988); M. Du Mont, The Mozart-Da Ponte Operas: An Annotated Bibliography (2000). Da Ponte, Lorenzoorig. Emanuele Conegliano(born March 10, 1749, Céneda, near Treviso, Veneto—died Aug. 17, 1838, New York, N.Y., U.S.) Italian poet and librettist. When his Jewish father converted to marry a Roman Catholic, he adopted the name of the local bishop. He took priestly orders in 1768, while teaching literature and publishing poetry. At odds with the authorities for his progressive views, he was expelled from the Venetian republic in 1779 for adultery. In 1783 he was appointed court poet for Vienna's Italian theatre. There he wrote a remarkable series of more than 40 opera librettos, including the masterpieces The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790) for Wolfgang A. Mozart. Court intrigue forced him to leave Vienna in 1791. He settled in New York in 1805, taught at Columbia College, wrote his colourful memoirs, and helped establish Italian opera in the city. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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Seeing Figaro kiss the hand of his master's wife, to say nothing of watching the page Cherubino smooch with her, subverts what Mozart and his librettist Lorenzo da Ponte intended. More important, Hall's cogent vision, now entrusted to director Thor Steingraber, seems to inspire singers, perhaps because it adheres so faithfully to the opera buffa Mozart and Lorenzo da Ponte crafted. Lorenzo da Ponte, who wrote the libretto (and also collaborated with Mozart on ``Cosi Fan Tutti'' and ``Don Giovanni'') pared down the Beaumarchais play but still kept all its humor and point intact, including surprise endings for each of the works' four acts. |
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