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Ludvig Holberg

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Holberg, Ludvig 

Born Dec. 3, 1684, in Bergen, Norway; died Jan. 28, 1754, in Copenhagen. Danish writer.

Holberg was the most prominent figure of the Enlightenment in Scandinavia. He graduated from the University of Copenhagen in 1704 and became a professor there in 1714. A Norwegian by descent, Holberg inherited the democratic traditions of the Norwegian peasantry, who had never known serfdom. He was an advocate of enlightened monarchy.

In 1719–20, Holberg published the satirical narrative poem Peder Paars (vols. 1–4) under the pseudonym of Hans Mikkel-sen, a brewer from Kalundborg; he employed motifs from this work in later writings. Drawing on the traditions established by Moliere and the commedia dell’arte, Holberg ridiculed his contemporaries who aped the French nobility (Jean de France, 1722), arrogant nobles (Don Ranudo, 1723), moneygrubbers (The 11th of July, 1723), and vainglorious warriors (Jakob von Thyboe, 1723). In the satirical play Jeppe of the Hill (1722) he portrayed a downtrodden peasant who retains his native wit. The comedy Erasmus Montanus (1723; Russian translation, 1902) has tragic undertones.

Holberg expressed aristocratic sociopolitical views in The Political Tinker (c. 1722; Russian translation, 1830). However, his comedies and the work of the Danish Theater, which he founded in 1722, were repressed by reactionary Danish circles. The theater was closed in 1730 and did not reopen until 1748. Holberg wrote historical and philosophical works, including History of the Kingdom of Denmark (vols. 1–3, 1732–35; Russian translation parts 1–2, 1765–66). His Nils Klim’s Journey Under the Ground (1741; written in Latin; Russian translation, 1762) was a sociopolitical satire of contemporary Europe.

Holberg had imitators in many European countries. He was well known in Russia, where his fables were translated by D. I. Fonvizin. His plays, which remain fundamental works in the classical repertoire of Danish and Norwegian theaters, had a considerable influence on the development of realist literature in Scandinavia.

WORKS

Samleder skrifter, vols. 1–17. Copenhagen, 1913–40.
In Russian translation:
Komedii. Introductory article by A. Gozenpud. Leningrad-Moscow, 1957.

REFERENCES

Brandes, G. “L. Gol’berg.” Sobr. soch., 2nd ed., vol. 3, part 3. St. Petersburg, 1906.
Gozenpud, A. “Datskii teatr.” In Istoriia zapadnoevropeiskogo teatra, vol. 4. Moscow, 1964.
Mortensen, K. L. Holberg. Copenhagen, 1925.
Brix, H. Holbergs komedier. Copenhagen, 1942.
TopsRe-Jensen, H. H. C. Andersen og Holberg. Copenhagen, 1956.
Olrik, H. G. L. Holberg—undersRgelser og kroniker. Copenhagen, 1959.
Ehrencron-Müller, H. Bibliografi over Holbergs skrifter, vols. 1–3. Copenhagen, 1933–35.
Ludvig Khol’berg: Biobibliograficheslii ukazatel’. Moscow, 1970.

V. G. ADMONI



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The concept for "The Beautiful Bridegroom" came about as he was doing his research and came across a one-act play by the 18th century Danish-Norwegian playwright Ludvig Holberg.
THE 18TH CENTURY AND THE TIME OF ENLIGHTENMENT Three authors are worth mentioning among historians, who approached Danish-Estonian history: Ludvig Holberg (1684-1754), Peder Friedrich Suhm (1728-1798) and Ove Malling (1747-1829).
Based on a play by the 18th-century dramatist, Ludvig Holberg, the libretto is, like Le nozze di Figaro, about a master and his valet.
 
 
 
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