Lo Kuan-Chung

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Lo Kuan-Chung

 

(second name, Lo Wen). Born circa 1330; died circa 1400. Chinese writer. Participant in the struggle with the Mongolian conquerors.

Lo Kuan-chung wrote the popular Chinese heroic epic The Romance of the Three Kingdoms, which depicted the internecine struggle among the rulers of the three kingdoms after the fall of the Han dynasty (third century). Lo Kuan-chung based his treatment of historical figures and events on the oral epic Tale of Three Kingdoms (12th and 13th centuries) and on folk dramas of the 13th and 14th centuries rather than on official history. While praising the heroic past, he also condemned fratricidal strife and called for unification of the country. His drama The Alliance of the Dragon and the Tiger is close in concept to The Romance of The Three Kingdoms.

WORKS

In Russian translation: Troetsarstvie, vols. 1–2. Moscow, 1954.

REFERENCES

Semanov, V. “Kitaiskii klassicheskii roman Troetsarstvie.” Inostrannaia literatura, 1955, no. 6.
Manukhin, V. S. “Khudozhestvennoe obobshchenie v pervykh kitaiskikh romanakh.” Nauchnye doklady vysshei shkoly: Filologicheskie nauki, 1959, no. 4.
Riftin, B. L. Istoricheskaia epopeia i fol’klornaia traditsiia ν Kitae. Moscow, 1970.
San kuo yeni yenchiu lunwen chi. Peking, 1957.
V. S. MANUKHIN
References in periodicals archive ?
Auyang begins her book with two strikingly similar passages, one from Marcus Aurelius and the other from Luo Guanzhong.
Among numerous assumptions, there are four prevailing theories: (1) some scholars adopt the theory of fourteenth-century authorship and believe that the novel was written by the dramatist Luo Guanzhong [TEXT NOT REPRODUCIBLE IN ASCII] during the Yuan; (2) some bibliographical evidence attributes the authorship to the novelist Luo Guanzhong of the same name during the Ming, (3) the novel was said by some to be authored by Shi Naian [TEXT NOT REPRODUCIBLE IN ASCII]; (4) the authorship is credited to the joint work of Shi Naian and Luo Guanzhong.
Detailing an incident familiar to auds throughout Asia, the script by Woo and three other writers mixes elements from history (as recorded in a third-century chronicle by Chen Shou), the freely fictionalized classic "Romance of the Three Kingdoms" by 14th-cenfury scribe Luo Guanzhong, and their own filmic imagination into a dramatic stew that has engendered beaucoup debate among Asian specialists and auds who already have their own ideas from multiple comicbook treatments, TV drama series and school textbooks.