(redirected from Mahayana Buddhist)
Also found in: Dictionary, Thesaurus.
Related to Mahayana Buddhist: Theravada Buddhist



the self-designation of one of the two largest schools of Buddhism (the other major school is Hinayana Buddhism).

Mahayana Buddhism can be traced through literary sources to the first century B.C. However, the ultimate origin of Mahayana Buddhism may be found in the first Buddhist councils of the fifth through third centuries B.C.; at these councils there was considerable support for broad missionary activity, admission of secular persons to the Buddhist sangha (community), and the relaxation of the rules of religious obedience.

The formation of Mahayana Buddhism is associated with the names of Nagarjuna, Asanga, Ashvaghosha, and Aryadeva—the major exponents of Buddhist religiophilosophical thought in the first through fifth centuries. In Mahayana, the highest religious ideal is the Bodhisattva, the universal but incarnate cosmic principle of the interrelationship—through compassion and mutual aid—of all beings who strive to liberate themselves from the coils of earthly existence. In contrast to the arhat, the ideal saint of Hinayana, who strives for personal liberation through strict observance of canonical and ritual prescriptions, the Bodhisattva is seen as a model for others: he himself will not be liberated until every last being who seeks liberation succeeds in emulating his example and achieving Nirvana. More concretely, the concept of Bodhisattva involves the individual’s acquisition of a certain set of ultimate qualities (paramitas): supergenerosity, supermorality, superpatience, supervigor, superconcentration, and super-wisdom. The symbolism of the Three Bodies of Buddha (Trikaya) occupies a central place in the Mahayana cult: the “body of the Law” (Dharmakaya), the image of the universal spiritual being of Buddha; the “body of Enjoyment” (Sambhogakaya), the ideal image of Buddha sent down to disciples who are in a yogic trance; and the “body of the Illusory” (Nirmanakaya), the material human image of Buddha as a model of religious behavior.

The religious symbolism of Mayahana Buddhism consists of a complex pantheon of divinities embodying personalized values in the achievement of ultimate liberation. The most important of these include the Amitabha Buddha, or the spirit of Buddhism incarnate in the world; the Avalokiteshvara Buddha, or compassion for the world; and the Maitreya Buddha, or the hope of the world. Mahayana canonical literature is based on nine chief sutras, the Vaipulya Sutras. The principal Mahayana philosophical schools are the Yogachara, or Vijnanavada (founded by Asanga), and the Madhyamika, or Shunyavada (founded by Nagarjuna). The development of the Tantrist teachings of Buddhist yoga is associated with Mahayana Buddhism.

In the first centuries A.D., Mahayana spread to China, Tibet, Korea, Japan, and later to Mongolia and other countries. Most of the Mahayana canonical texts in India were written in Sanskrit, and in countries to which Mahayana spread were written in the local languages as well. Magnificent religious rituals are characteristic of Mahayana.


Ashvagosha. ZhiznBuddy. Moscow, 1913.
Arnold, E. Svet Azii, 2nd ed. St. Petersburg, 1906.
Schure, E. Sakiia-Muni drevnii mudrets. Odessa, 1897.
Suzuki, D. T. Outlines of Mahayana Buddhism. London [1907].
Sogen, J. Systems of Buddhistic Thought. Calcutta, 1912.


References in periodicals archive ?
See Collegiate Institute for the Study of Buddhist Literature, "The Sutra of the King of Samadhis, Chapters I-IV," in Studies in the Literature of the Great Vehicle: Three Mahayana Buddhist Texts (Ann Arbor: Collegiate Institute for the Study of Buddhist Literature and Center for South and Southeast Asian Studies, Univ.
He became a recognized authority on Mahayana Buddhist idealist philosophy both In India and in China after his return.
Although a number of past Indologists and scholars of Buddhism have briefly mentioned the relations between Mahayana Buddhists and their books, the most recent scholarly discourse on the "cult of the book" in Mahayana Buddhist formations, as exhibited by the work of Gregory Schopen (1975, 1989, 2005) and David Drewes (2007), has hypothesized that the "cult of the book" occured in relation to shrines (caitya) or that it may not even have occurred at all.
Perhaps one of the most famous examples of animal assistance involves the great Mahayana Buddhist sages, Asanga.
From a Mahayana Buddhist point of view, the closest equivalent to the term "salvation" is samyaksambodhi, or perfect liberation, the attainment of buddhahood for the sake of all sentient beings.
This metaphor is observed in the Treatise on the Awakening of Faith in the Mahayana (Dasheng qixin lun), an important Mahayana Buddhist text in East Asia.
Topics include religious violence, Gandhi's principles after 9/11, Aristotle's response to terror, pragmatic lessons, the legacy of platonic political philosophy in Al-Farabi and Nietzsche, Buddhist "right effort" with the jihad of Abdul Ghaffar Khan, Buddhism and standing up to terrorists, Mahayana Buddhist perspectives on compassion, a Zen perspective on rootlessness and terror, interdependence and the de-reification of the self, loneliness as a common fate for philosophy and terrorism, gender and violence, Confucian perspectives on war and terrorism, Ueshiba and Gandhi on personal violence, and himsa and ahimsa in the martial arts.
In Vientiane there were four Mahayana Buddhist pagodas, two serving the ethnic Vietnamese community and two serving the ethnic Chinese community.
All they knew was that China is a Mahayana Buddhist Country and there are no Theravada Buddhists there with monks, Pali scriptures, and nuns.
It seeks to show that the particular way in which the Prasangika-Madhyamika school presented (or chose not to present) its elaboration on the Mahayana Buddhist notion of emptiness (sunyata) shares much in common with Derrida's deconstruction thought, and in fact can help to complete it.
The Mahayana Buddhist concepts of the Four Noble Truths, enlightenment, compassion and the bodhisattva are used to analyze the roles of the Author/God, the Hero, and the Guru/Omniscient Critic.