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Bowes, Edward
(redirected from Major Bowes)

   Also found in: Wikipedia, Hutchinson 0.03 sec.

Bowes, Edward

 known as Major Bowes

(born June 14, 1874, San Francisco, Calif., U.S.—died June 14, 1946, Rumson, N.J.) U.S. radio personality. He promoted attendance at New York City's Capitol Theatre by starting a variety show, the Major Bowes Capitol Family, which became the radio program Original Amateur Hour (1935–46). The show (later revived for television as The Ted Mack Original Amateur Hour [1948–60]) gave aspiring singers and comedians, including Frank Sinatra and Bob Hope, a chance to perform before a national radio audience.


Bowes, Edward (1874–1946) entrepreneur, radio impresario; born in San Francisco. He left school at age 13 and worked as an office boy. He built a flourishing real estate business that was temporarily ruined by the earthquake and fire of 1906. He married Margaret Illington, an actress, and they moved east to run theaters in Boston and New York City. He built the Capitol Theater in New York City, an early movie "palace," and in 1925 became the host of a popular radio program that had originated from there since 1922. In 1934, as manager of New York City's radio station WHN, he began "Major Bowes' Original Amateur Hour," which offered potential stardom and a $10 stipend to contestants during the Great Depression. While he hosted this popular network radio program until 1945, his manner and expressions became known nationwide. He left most of his $4.5 million estate to charity.


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You can hear Callas in a 1935 broadcast of radio's Major Bowes Amateur Hour (she lost), listen to the legendary E-flat from a 1951 Mexico City Aida triumphal scene, sample her collaborations with conductors Herbert von Karajan and Leonard Bernstein, and weep at a 1958 London production of La Traviata, during which the soprano achieves what sounds very much like an out-of-body experience.
are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes.
Young generation readers will probably fail to make much of the 1934 Major Bowes Original Amateur Hour or the later Vox Pop and We the People programs, but DeLong has dug up enough interesting detail to bring back an era long gone.
 
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