Malevich


Also found in: Dictionary, Thesaurus, Wikipedia.

Malevich

Kasimir . 1878--1935, Russian painter. He founded the abstract art movement known as Suprematism
References in periodicals archive ?
Malevich composed the work in 1915 to be shown in St Petersburg, then called Petrograd.
But Lissitzky as well as Malevich was interested in icons; and even as archmaterialist a project as his Lenin Tribune (1920) echoes icons of Jacob's Ladder--or the same motif of inter-modal communication in The Vision of St John Climacus, (first half of the 16th Century, St Petersburg, Russian Museum).
Recently returned to the Malevich family by the New York Museum of Modern Art (MoMA), the composition was presented to buyers, during the sale, by the actress Sharon Stone, dressed from top to toe in red chiffon by Dior.
Mitzi Malevich joined American Express in 1983 to manage growth stock portfolios for institutional clients of American Express Asset Management.
The Phillips sale in New York on 11 May will comprise an exceptional group of Impressionist and Modern paintings, including a major work by Kasimir Malevich, the founder of Suprematism, as well as important paintings by Cezanne, Monet, Sisley, Miro, Picasso and Toulouse-Lautrec among others.
In a short and polemical text that accompanied the exhibition, Malevich (1879-1935) described his break-through to 'the zero of form' in nigh-cosmic terms: 'I have destroyed the ring of the horizon and escaped the circle of objects, the horizon ring that has imprisoned the artist and the forms of nature'.
To facilitate discussions of Antonio Gramsci among residents of a Bronx housing project, as Hirschhorn did last year, is undeniably to keep the flame alive; to show Malevich et al.
Malevich defined his 'suprematism' as the supremacy of intuitive feeling.
Like Chernikhov, Leonidov or Malevich, Ando favours simple shapes arranged in a free fashion.
Malevich is regarded as a pioneer of twentieth century abstract art and the founder of Suprematism.
The point of departure for "Report from the Exhibition," which jux-taposed works by Eustachy Kossakowski and Goshka Macuga, was the oeuvre of Kazimir Malevich, the father of Suprematism and the painter of that cornerstone of modernism Black Square, 19 I 5, an image that the artist made his signature.
Ever since Camilla Gray's The Great Experiment (1962) Natalia Goncharova has seemed especially icon-attuned, along with her husband Mikhail Larionov, Kazimir Malevich, and rather differently, Vladimir Tatlin.