Mamet, David (mămĕt`), 1947–, American playwright and film director, b. Chicago. He taught drama and produced some of his early plays at Goddard College. His work, often dealing with the success and failure of the American dream, is noted for its sharp, spare, compressed, often profane, and muscularly insightful dialogue. He came to public attention with such plays as Sexual Perversity in Chicago (1974) and American Buffalo (1975), later achieving success with the corrosively brilliant Glengarry Glen Ross (1983; Pulitzer Prize) and Oleanna (1992). He also wrote screenplays for The Postman Always Rings Twice (1981), Hoffa (1992), the film version of Glengarry (1992), and many others. In 1987, Mamet made his debut as a film director with House of Games, a complex story about deception and gullibility; he has since written and directed several films, including The Spanish Prisoner (1997), Heist (2001), and Spartan (2004). Mamet has also written, directed, or produced several television films. His first television series, The Unit, a network military drama, aired in 2006.

By the beginning of the 21st cent. Mamet was widely regarded as one of the finest American writers for stage and screen. Some of his later plays, such as The Cryptogram (1995) and The Old Neighborhood (1997), have explored difficult semiautobiographical material. Throughout his career, Mamet has treated the themes of belonging, the vagaries of authority, the pivotal role played by loyalty, and the importance of speaking the truth. In addition to over 20 plays and more than a dozen screenplays, the prolific Mamet has also written novels, e.g., The Village (1994), several collections of essays (including the autobiographical Jafsie and John Henry, 1999), a book on acting (1997), and The Wicked Son: Anti-Semitism, Self-Hatred, and the Jews (2006).

Bibliography

See L. Kane, ed., David Mamet in Conversation (2001); studies by D. Carroll (1987), A. Dean (1990), N. Jones and S. Dykes (1991), L. Kane, ed. (1992) and as author (1999) and (2004), G. Brewer (1993), C. C. Hudgins and L. Kane, ed. (2001), D. K. and J. A. Sauer (2003), H. Bloom, ed. (2004), and B. Barton (2005): C. Bigsby, ed., The Cambridge Companion to David Mamet (2004).

Mamet, David (Alan)

(born Nov. 30, 1947, Chicago, Ill., U.S.) U.S. playwright, director, and screenwriter. In 1973 he founded the St. Nicholas Theatre Co. in Chicago. He won wide notice with Sexual Perversity in Chicago (1974) and followed it with plays such as American Buffalo (1977) and Glengarry Glen Ross (1983, Pulitzer Prize). He became known for rapid-fire dialogue studded with obscenities and for his preoccupation with power relationships and corporate corruption. Mamet used the rhythms and rhetoric of everyday speech to delineate character, describe intricate relationships, and drive dramatic development. His later plays include Speed-the-Plow (1987), Oleanna (1992), and The Cryptogram (1994); his screenplays include The Verdict (1980) and The Untouchables (1986). He also wrote and directed films such as House of Games (1987) and State and Main (2000).

Mamet, David (1947– ) playwright; born in Flossmore, Ill. A founder and playwright-in-residence of Chicago's St. Nicholas Theatre Company, his best-known works are American Buffalo (1977) and A Life in the Theater (1977).