Marden, Brice

Marden, Brice,

1938–, American painter, b. Bronxville, N.Y.; grad Boston Univ. (B.F.A., 1961), Yale Univ. (M.A., 1963). Marden began exhibiting his work in the 1960s, becoming known for minimalist abstractions executed in oil paint and beeswax and composed of one or more rectangular panels of muted, monochromatic color, such as D'Après la Marquise de la Solana (1969, Guggenheim Mus.). In the mid-1980s he abruptly changed his style to a more spontaneous and gestural abstraction. Inspired by Asian calligraphy, he began to produce canvases covered with fluid, looping linear webs, sometimes drawn with paint using long sticks. Among these are the highly acclaimed paintings of the Cold Mountain series of the late 1980s and early 90s. He is also known for his drawings and prints. Marden, whose work is in the collections of many major museums, was the subject of a retrospective exhibition at the Museum of Modern Art in 2006.

Bibliography

See studies by K. Kertess (1992), D. Rimanelli (1995), D. Schwarz and M. Semff (1997), J. C. Lee (1999), and C. Wylie (1999).

Marden, Brice

(1938–  ) painter; born in Bronxville, N.Y. After studies at Yale University School of Art and Architecture with Esteban Vincente and Alex Katz (1961–63), he lived and worked in New York City. He is praised for his minimalist work in oil and wax, as seen in For Pearl (1970), whose three panels are covered with color tonalities.
References in periodicals archive ?
It's blasphemous but not uninteresting, in one instance, to hang a Winters painting with Dunham and Saul and Turner, and thus to frame its painterly wiggly lines as cartoonesque, and in another instance to situate Winters in the colorful stream of lyrical abstraction that undulates throughout the exhibition via very pretty gestural paintings by Cy Twombly, Helen Marden, Brice Marden, Harriet Korman, and Stephen Mueller.