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Maria Callas

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Callas, Maria 

(real surname, Kalogeropoulou). Born Dec. 3, 1923, in New York. Opera singer (lyric-dramatic soprano).

Callas, a Greek by nationality, is an outstanding representative of contemporary vocal art. In 1937 she began to study singing under E. de Hidalgo at the Conservatory of Athens. In 1938 she made her debut at the Athens Opera. In the late 1940’s, Callas sang in Italian theaters. Since the early 1950’s she has sung in the world’s most prominant theaters, including La Scalain in Milan (1950), Covent Garden in London (1952), the Chicago Opera House (1954-55), and the Metropolitan Opera House in New York (1956-58). In 1960, Callas became a soloist at La Scala.

Her vocal technique is similar to that of the Italian romantic school of opera (mastery of bel canto). Her performances are characterized by a unity of vocal and dramatic imagery. Callas’ most successful parts have included the title roles in Donizetti’s Lucia de Lammermoor and Anna Bolena; Norma, Amina, and Imogena in Bellini’s Norma, La Sonnambula, and Il Pirata; Violetta in Verdi’s La Traviata; and the title role in Puccini’s Tosca.

REFERENCE

Timokhin, V. “Mariia Kallas.” In Vydaiushchiesia itaVianskie pevtsy:Ocherki. Moscow, 1962.


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The exhibition pays homage through a parade of photographs to the glamorous divas who sought to match their elegance and beauty with Van Cleef & Arpels jewellery, such as Princess Grace Kelly, Princess Soraya, Jacky Kennedy, Maria Callas, and Wallis Simpson, as well as Julia Roberts, Sofia Coppola, and Diane Kruger.
Soprano Elizabeth Turchi's presence and facial expressions on stage reminded me of Maria Callas, and her voice is as agile.
MARIA CALLAS EMI CLASSICS: 2 15894 2 VIS D'ARTE: THE PUCCINI LOVE SONGS MARIA CALLAS EMI CLASSICS: 2 16102 2 Maria Callas's name is indelibly linked to Puccini's--particularly after her first recording of Tosca (with Giuseppe di Stefano and Tito Gobbi) became one of the first landmark recordings of the LP era.
 
 
 
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