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Petipa, Marius |
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Petipa, Marius (märyüs` pĕtēpä`), 1822–1910, French dancer and choreographer, b. Marseilles. Petipa rose to prominence at the Imperial Theatre in St. Petersburg. He was the principal creator of the modern classical ballet. Bringing French and Italian traditions to Russia, he gave increasing importance to pure dance over pantomime and greatly expanded the roles of male dancers. His major works include Don Quixote (1869), La Bayadère (1875), The Sleeping Beauty (1890), The Nutcracker (1892), Swan Lake, Acts One and Three (1893), and Raymonda (1898).
BibliographySee his memoirs (tr. 1958). Petipa, Marius(born March 11, 1818, Marseille, Fr.—died July 14, 1910, Gurzuf, Ukraine, Russian Empire) French-born Russian dancer and choreographer. He received his early training from his ballet-master father and was a principal dancer in France, Belgium, and Spain before joining the Imperial Theatre in St. Petersburg in 1847. There he also created several ballets, including The Pharaoh's Daughter, which led to his appointment as chief choreographer in 1869. By his retirement in 1903, he had produced more than 60 ballets for the imperial theatres in St. Petersburg and Moscow—including Don Quixote (1869), La Camargo (1872), Sleeping Beauty (1890), Swan Lake (1895), and The Seasons (1900)—which formed the core of the classical Russian repertoire. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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The ballet was originally choreographed in 1792 by Lev Ivanov with libretto by Marius Petipa, which he based on the E. A failure when it premiered in Russia in 1877, it took the combined efforts of Marius Petipa and Lev Ivanov 18 years to establish the story of Prince Siegfried's doomed love for Odette, swan queen by day and woman by night, as the quintessential classical ballet. It's impossible to resist the comparisons--Tchaikovsky and Marius Petipa in the waning years of the 19th century; Igor Stravinsky and George Balanchine in the middle decades of the 20th. |
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