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Martin Walser

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Walser, Martin 

Born Mar. 24, 1927, in Wasserburg. German writer, Federal Republic of Germany.

Walser’s literary activity began with the collection Airplane Over the House (1955). The novel Marriages in Philippsburg (1957) depicts the decay of bourgeois morality. Walser’s novel Half Time (1960) is permeated with criticism of West German reality. In the plays The Oak and the Angora Rabbits (1962-63) and Mr. Krott at a Supernatural Magnitude (1964) capitalist society is satirized. The play The Black Swan (1964) relates the crimes committed by the Nazis. The hero of the novel The Unicorn (1966) travels around West Germany and finds himself lonely everywhere. As a journalist, Walser has come out against American aggression in Vietnam. He is a member of “Group 47.”

WORKS

Die Alternative, oder Brauchen wir eine neue Regierung? Reinbek bei Hamburg, 1961.
Lügengeschichten. Frankfurt am Main, 1964.
Die Zimmerschlacht, 2nd ed. Frankfurt am Main, 1968.
Heimatkunde: Aufsätze und Reden. [Frankfurt àm Main, 1968.]

REFERENCES

Kalninia, D. Ia. Sovremennyi zapadnogerm, roman. Moscow, 1969. (Author’s doctoral dissertation abstract.)
Walser, M.: Bibliographie: 1952-1964. Biberbach an der Riss, 1964.

I. V. MLECHINA



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Topics include political dislocation in the poetry of Volker Braun, German exiles in postcolonial Anglophone writing, Stefan Heym's exile poetry as the foundation for his later fiction, East German autobiography after East Germany, identify formation in Ingo Schulze's Handy: Thirteen Tales in the Old Style, and dislocation as a motif in the works of Martin Walser.
Authors like Christa Wolf, Martin Walser, and Christoph Hein gave readings in our bookstore.
In May, Frank Schirrmacher, the present publisher of the Frankfurter Allgemeine Zeitung, printed an open letter in his paper in which he explained to Martin Walser his refusal to publish a first serial of the latter's novel Death of a Critic, claiming that Walser's thinly veiled caricature of Reich-Ranicki as the power-hungry telegenic critic Andre Ehrl-Konig was anti-Semitic.
 
 
 
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