Mary Renault

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Renault, Mary,

pseud. of

Mary Challens,

1905–83, English novelist, b. London. After receiving her nursing degree in 1936, she emigrated to South Africa. She was best-known for her historical novels about ancient Greece and Rome, including The King Must Die (1958), The Mask of Apollo (1966), Fire from Heaven (1970), and The Persian Boy (1973). Renault's works often revolve around homosexuality and the struggles of men and women to forge a sexual identity; this struggle is the central focus of The Charioteer (1955), a study of soldiers in World War II, widely regarded as her finest novel.


See studies by P. Wolfe (1969) and B. F. Dick (1972).

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In the year prior to Turing's humiliation and conviction, a brave exception to the atmosphere of repression and silence respecting gay lives came in the form of a novel, The Charioteer, by Mary Renault.
Lately, I've been reading the classical novels of Mary Renault.
The chapter 'Evil Men: Literature and Homosexuality, ranges from Terence Rattigan to Angus Wilson and Mary Renault via a discussion of Peter Wildeblood's autobiography Against the Law (1955) and space is also given to Rodney Garland's The Heart in Exile (1953).
My favourite authors include Mary Renault, Rosemary Sutcliff, James Fenimore Cooper, Neil Gaiman, Hilary Mantel and Alan Garner.
Percorrem-se as obras de Emilia Macaya, Mary Renault, Nadia Fusini, Lara Cardella e Patrizia Valduga.
The mysteries of Nancy Drew, the golden afternoon in Ostia and Homer's Iliad paved the way, but reading Mary Renault was my Damascene moment.
Lesbian Pulp Fiction needs a companion anthology of lesbian writing from the literary side of the aisle, including authors like Willa Cather, Djuna Barnes, Virginia Woolf, Colette, Mary Renault, Violette Leduc, and May Sarton.
I enjoyed Alan Brady Conrath's essay on Mary Renault in the May-June issue.
La relacion homoerotica de Alejandro y Hefastion esta historicamente probada para autores como David Sweetman o como Mary Renault, quien se ha dedicado ampliamente al estudio de la vida y hazanas del emperador.
Concentrating on close readings of work by Willa Cather, Mary Renault, Gertrude Stein, Djuna Barnes, and Virginia Woolf, and including wide reference to other lesbian fiction, Abraham traces how lesbian writing in this century has negotiated the thralldom of the heterosexual plot fundamental to English language fiction.
Avrom Fleishman, who considers Mary Renault to be one of the finest historical novelists of the century, thinks that her skill at recreating an ancient sense of the sacred is such that readers are enabled 'to recognize the ritual drama of the Cretan bull dance in the way we recognize our own myths and communal passions'.