McLuhan


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McLuhan

(Herbert) Marshall. 1911--80, Canadian author of works analysing the mass media, including Understanding Media (1964) and The Medium is the Message (1967)
References in periodicals archive ?
Varias teses do pesquisador sao resgatadas e discutidas na tentativa de, muitas vezes, debater alem das hipoteses secundarias, mas o nucleo duro do pensamento de McLuhan e, certamente, tambem de Harold Adam Innis (3).
Historian Paul Johnson went so far as to call McLuhan an "enemy of society" for his presumed "pseudo-science" because, along with Freud and Marx, they would "'continually reformulate their theories to avoid creeping refutation" (149-150).
Leavis, painter and novelist Wyndham Lewis, historian Sigfried Giedion and University of Toronto historian Harold Innis, McLuhan began to apply the analytical techniques of New Criticism to popular culture and then to whole systems of technology.
The first thing that popped into my head was Marshall McLuhan.
Guest editor Mark Stahlman's opening essay "The Place of Marshall McLuhan in the Learning of His Times" echoes the subtitle of McLuhan's 1943 Ph.
McLuhan said that "it is the framework which changes with each new technology and not just the picture within the frame.
If McLuhan was right in saying "the medium is the message", we are entering a period of immense culture shock.
The visual mosaic of Roeg's film adaptation of Tevis's novel is a result of the shift from the printing age to the electronic age, which McLuhan perceives as "an extension of the central nervous system.
In the interpretation of McLuhan all these technologies and their development encourage the tendencies of the globalized world and, finally, the emergence processes of a "global village".
For this Readers' Forum, "The Age of McLuhan, 100 Years On," we invited six scholars to reflect on the significance of Marshall McLuhan in today's posthuman mediatic context.
Acrescentemos, tambem, que McLuhan nao foi somente um pensador dos meios de comunicacao, mas um intelectual midiatico, talvez o primeiro no sentido pleno.
McLuhan spent 21years to bring the story to the screen.