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meaning |
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meaningIn philosophy and linguistics, the sense of a linguistic expression, sometimes understood in contrast to its referent. For example, the expressions “the morning star” and “the evening star” have different meanings, though their referent (Venus) is the same. Some expressions have meanings but no referents (“the present king of France”) or referents but no meanings (“that”). The literal or conventional meaning of an expression may differ from what a speaker of that expression means by uttering it on a particular occasion; this is the case with similes, statements uttered ironically, and statements that convey various “conversational implicatures,” as in the following examples: “She entered the house and shot him” implicates that she shot him in the house after she entered it, though this is not part of the sentence's literal meaning; “John has three sons” implicates that John has no more than three sons, though again the sentence does not literally say this. Other non-literal aspects of meaning include the potential for carrying out various “speech acts” (see speech act theory); e.g., uttered in the appropriate circumstances, the sentence “I christen thee the Joseph Stalin,” constitutes the act of naming a ship, and the sentence “I am cold” constitutes a request to close the window. See also pragmatics; semantics. meaning Philosophy a. the sense of an expression; its connotation b. the reference of an expression; its denotation. In recent philosophical writings meaning can be used in both the above senses How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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| This distinction I find philosophically unbased; we here touch upon the fundamental problem of the meaning of meaning and of the nature of signs and symbols. The problem is words, of course: their definitions, the meaning of meaning, the problems that seem so esoteric as not to merit attention in our pragmatic country, where being a conservative all too often consists of quoting the Fathers of the Republic, without reflecting on whether these sentences have acquired new meanings owing to disappearance of their philosophical foundations. Like a bad college writer, Solondz gives us arguments about a story instead of an actual story, makes callow points about the meaning of meaning, and indulges pointless ironies--now riffing on a well-known image from American Beauty, now placing a big red rectangle over a sex scene as a protest against ratings and censorship. |
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