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Metaphysical Painting |
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Metaphysical paintingItalian Pittura MetafisicaStyle of painting that flourished c. 1910–20 in the works of the Italian painters Giorgio de Chirico and Carlo Carrà (1881–1966). The movement began with Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality. Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917. Their representational but bizarre and incongruous imagery produces disquieting effects and had a strong influence on Surrealism in the 1920s. Metaphysical Painting a tendency in Italian painting that was prevalent from around 1915 to the early 1920’s. Its exponents (the founder G. de Chirico, C. Carrà, F. de Pisis, M. Campigli, F. Casorati, G. Morandi), who were connected with the magazine Valori Plastici (1919–22), shared to a large extent the general tendencies of neoclassicism of the 1920’s. They sought to express the depressing emptiness and frightening coldness of a world estranged from man and to reveal a kind of secret, magical meaning in the arrangement of unrelated objects. REFERENCESCarra, C. Pittura metafisica. Florence [1919].Apollonio, U. Pittura metafisica. Venice, 1950. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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