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Mino da Fiesole |
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Mino da Fiesole (mē`nō dä fyā`zōlā) or Mino di Giovanni (dē jōvän`nē), 1429–84, Florentine sculptor of the early Renaissance. He produced many tombs and sculptures for churches. Among the best are the altar in the cathedral at Fiesole, the monument to Count Hugo in the Badia of Florence, and the tombs of Bishop Salutati, Fiesole, and of Francesco Tornabuoni, Rome. He also worked (1474–77) on the monument to Pope Paul II in St. Peter's. His religious sculpture varies in execution from a delicate to an overly sweet style. His portrait busts are more vigorous and include those of Niccolò Strozzi (Berlin) and Astorgio Manfredi (National Gall. of Art, Washington, D.C.).
BibliographySee W. R. Val ntiner, Studies of Renaissance Sculpture (1950). Mino da Fiesole(born 1429, Poppi, Republic of Florence—died 1484, Florence) Italian sculptor. Probably trained in Florence, he was active both in Florence and Rome, where he created monuments (especially wall tombs) and busts of cardinals and other prominent individuals. Among the earliest Renaissance portrait sculptures, his works were greatly admired in the 19th century but are now considered less inspired than those of Desiderio da Settignano, Antonio Rossellino (1427–79), and other eminent contemporaries. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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Sculptors like Antonio Rossellino, Mino da Fiesole, and Benedetto da Maiano, who have regularly been cited in prior discussions of the interaction of the arts, are given somewhat short shrift, but then this exhibition took as its point of departure the painting collections of the National Gallery, for which these artists had less importance. D'Estouteville projected himself into this miracle in a narrative relief carved by Mino da Fiesole in the 1460s. |
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